1. Dance The Night Away With You 
          2. Street Side 
          3. Wild Honey 
          4. Rain 
          5. Snake Eyes 
          6. Fire Of Love 
          7. Sonata/He's A Hero 
          8. City Lights 
            
          Dr. John - Vocals, keyboards 
          Steve Gadd - Drums 
          Will Lee - Bass 
          Richard Tee - Keyboards 
          Hugh McCracken, John Tropea - Guitars 
          Arthur Jenkins - Percussion 
          Charlie Miller - Cornet 
          Barry Rogers - Trombone 
          David Sanborn - Alto sax 
          George Young - Tenor sax 
          Ronnie Cuber - Baritone sax 
          Ronnie Barron, George Jones. Tammy Lynn, Alvin 
          Robinson - Background vocals 
          Claus Ogerman - Strings arranger and conductor 
        
  
        
Reissued in Universal's "Originals" 
          series, this 1978 album helped to establish 
          singing pianist Dr. John (alias Mac Rebennack, 
          alias Malcolm John Rebennack Jr.) as a jazz 
          performer. He had previously made his name 
          as a bluesy rocker from New Orleans with an 
          interest in voodoo. If you doubt his credentials 
          as a jazzman (and you won't find him in many 
          jazz reference books), just look at the company 
          he keeps on this CD, including such notable 
          jazz musicians as Steve Gadd, Dave Sanborn 
          and Ronnie Cuber. 
        
 
        
Of course, he never lost 
          that typical New Orleans swirl on the piano 
          and that gritty singing voice which seems 
          to anticipate the similar vocal style of Tom 
          Waits. Of course, New Orleans is the fabled 
          "birthplace of jazz", so it was natural for 
          Dr. John (born in New Orleans in 1941) to 
          have jazz in his soul - as well as soul in 
          his jazz. Anyway, the result is an album which 
          will appeal equally to traditional Dr. John 
          devotees and jazz fans. 
        
 
        
The use of background strings 
          on tracks like Rain tends to make them 
          lush and sentimental but the good doctor's 
          robust vocals keep things earthy. And the 
          blues element which is at the heart of his 
          music dispels any possibility of this being 
          "smooth jazz". The opening Dance the Night 
          Away illustrates this: a down-home boogie-type 
          number with interesting interpolations from 
          the brass, arranged (like all the tracks) 
          by Dr. John and guitarist Hugh McCracken. 
        
 
        
Street Side has a 
          typical bass-drum thud from Steve Gadd on 
          the third beat of every bar, tethering the 
          music to the pavement. Wild Honey is 
          a catchy piece of jazz-rock which incites 
          the listener to dance or at least tap the 
          feet. Rain is gentler: a slow-burner 
          with added class supplied by Dave Sanborn's 
          distinctive alto sax, soloing radiantly. Snake 
          Eyes is more in New Orleans swaying style, 
          with gutsy guitar and Dr John's vocals telling 
          it like it is. 
        
 
        
Fire of Love also 
          sways with that characteristic New Orleans 
          rhythm. Sonata/He's a Hero turns the 
          spotlight on Dr John's piano, with strong 
          swirling bass, before moving into irresistible 
          jazz-rock-boogie. The closing title-track 
          starts with luxurious strings backing Dr John's 
          soulful piano, leading into a poignant song 
          expressing late-night loneliness. 
        
 
        
Whether you categorise Dr 
          John as jazz, blues, rock, boogie or anything 
          else, it actually encompasses all these (and 
          more) to create a mix that simply invites 
          you to lie back and listen. 
        
Tony Augarde