1. Night Train 
          2. Misty 
          3. Take Five 
          4. Tea for Two 
          5. Jitterbug Waltz 
          6. Lullaby of Birdland 
          7. 'Round Midnight 
          8. Bouncing with Bud 
          
9. Waltz for Debby 
          10. Maple Leaf Rag 
          11. Song for my Father 
          12. My Song 
          
13. Single Petal of a Rose 
          14. Armando’s Rhumba 
          15. Search for Peace 
          16. Watermelon Man 
          Geoff Eales - Piano 
          Roy Babbington - Bass 
          Mark Fletcher - Drums 
        
 
        
For 
          some time, Geoff Eales and his trio have been 
          touring jazz venues with a programme called 
          "Jazz Piano Legends". It reminds listeners 
          of many of the great jazz pianists and it 
          has now found its way onto this CD. Geoff 
          doesn't always try to imitate the pianists 
          whose work he is reflecting, although Misty 
          has hints of Erroll Garner's characteristic 
          beat and Tea for Two contains several 
          echoes of Art Tatum. Most tracks sound more 
          like Geoff Eales than the pianists he is referencing 
          (Jitterbug Waltz has little about it 
          that is Walleresque) but this is not necessarily 
          a bad thing, as the CD might otherwise have 
          become one of those dreadful imitative "tribute" 
          albums. 
        
 
        
No, 
          this album is a fine example of Geoff Eales's 
          playing with his trio, with solid backing 
          from bassist Roy Babbington and drummer Mark 
          Fletcher. And it exhibits all Geoff's strengths 
          - from his extrovert two-handed style to his 
          gentler moods. In the sleeve-note, Eales says 
          that Oscar Peterson was "the pianist who exercised 
          the biggest influence on me as a child" and 
          Geoff shares Oscar's ability to use a formidable 
          technique to arouse great excitement. I love 
          it when he doesn't hold back but attacks the 
          piano with fierce enthusiasm, as he does when 
          he gets warmed up in Night Train and 
          in Bouncing With Bud - the latter starting 
          with Bud Powell's right-hand lines but soon 
          grooving strongly with both hands. 
        
 
        
On 
          these tracks he sounds rather different from 
          how he came across on his last album, Epicentre, 
          which I reviewed 
          here last year. Yet there are lots of 
          quieter moments, as in his judicious tribute 
          to Bill Evans with Waltz for Debby 
          and his delicate interpretations of Keith 
          Jarrett's My Song and Duke Ellington's 
          Single Petal of a Rose. The album illustrates 
          Geoff's versatility. He seems to be able to 
          play anything - and his long and varied experience 
          explains why this is possible.  
        
 
        
Tony 
          Augarde