1. Again 
          2. Because of You 
          3. He’s a Tramp 
          4. Sophisticated Lady 
          5. The Man That Got Away 
          6. Do You Love Me? 
          7. I Haven’t Got Anything Better To Do 
          8. Drop Me A Line 
          9. True 
          10. How Long Has This Been Going On? 
          11. If I Keep My Heart Out of Sight 
          12. If It’s Magic 
          13. No One Ever Tells You 
          14. I’m Confessin’ 
            
          Alison Burns – Vocals 
          Martin Taylor – Guitar 
            
        
I am very familiar with the 
          work of Martin Taylor: some years ago, he 
          even made a few appearances with my Big Band. 
          This was, of course, before he became an international 
          star on the jazz scene, but even then there 
          was no doubting his outstanding talent. If 
          there is anyone who could properly fulfil 
          the role of accompanying a singer as a single 
          musician, it’s Martin.  
        
Alison Burns is new to me, 
          but she is a very polished singer. She lists 
          Peggy Lee and Lena Horne as two of her favourites 
          and she has absorbed much of their performances, 
          but at the same time adding her own unique 
          ingredient. In her repertoire she is not afraid 
          to tackle some of the more difficult "standards". 
          Sophisticated Lady is a good example 
          where her excellent diction, tuning, intonation 
          and use of vibrato make for an excellent rendition 
          of this Duke Ellington classic.    
        
Throughout the album Martin 
          Taylor provides perfect accompaniment, whilst 
          at the same time contributing some immaculately 
          played solos. He is one of the finest jazz 
          guitarists on the world jazz scene today. 
          His one-man shows, where he regularly plays 
          the lead, accompanying part and bass line 
          of a tune, all at the same time, are stunning 
          evidence of his ability.  
        
The choice of material is 
          also good: plenty of well-known melodies interspersed 
          with less well-known songs and a Taylor/Burns 
          original called True on track 9.  
        
If you enjoyed the records 
          that Barney Kessel made with Julie London, 
          and Joe Pass with Ella Fitzgerald, you will 
          enjoy this - it is first class.  
        
Don Mather