1. Twelfth Street Rag 
        2. Fare Thee Well, Annabelle 
        3. Lookie, Lookie, Lookie, Here Comes Cookie 
        
        4. Rockin' Chair 
        5. One Dozen Roses 
        6. Muskrat Ramble 
        7. After You've Gone 
        8. Basin Street Blues 
        9. The Preacher And The Bear 
        10. On The Sunny Side Of The Street 
        11. Somebody Else, Not Me 
        12. Wabash Blues 
        13. Royal Garden Blues 
        14. High Society 
        15. Clarinet Marmalade 
        16. Bessie Couldn't Help It 
        17. Dill Pickles Rag 
        18. Milenberg Joys 
        19. The Charleston 
        20. Copenhagen 
        21. Darktown Strutters' Ball 
        22. Snag It 
        23. San 
        24. So Blue 
        25. South Rampart Street Parade 
        26. Original Dixieland One-Step 
        27. Fidgety Feet 
        28. Oh! 
        
Trombonist 
          Walter "Pee Wee" Hunt is in danger 
          of being dismissed as a one-hit wonder, since 
          everyone of a certain age knows his Twelfth 
          Street Rag but probably none of his other 
          recordings. Yet he played for Jean Goldkette’s 
          band in the 1920s and then became a founder 
          member of the Casa Loma Orchestra, with which 
          he stayed from 1929 to 1943 - before forming 
          his own ensemble. 
        
 
        
The 
          CD opens appropriately with Twelfth Street 
          Rag, which typifies much of Pee Wee Hunt’s 
          work. It’s brightly swinging Dixieland jazz, 
          with touches of humour which can also be heard 
          in other tracks on this disc. Pee Wee supplies 
          good-natured vocals to such songs as The 
          Preacher and the Bear and Lookie, Lookie, 
          Lookie, Here ComesCookie, and he plays 
          some effective trombone. 
        
 
        
Although 
          most of the tracks are by Pee Wee’s own band, 
          there are four examples by the Casa Loma Orchestra, 
          including two featuring guest Louis Armstrong, 
          who duets with Pee Wee on Rockin’ Chair. 
          None of the music is particularly profound 
          but it is well played, and the tongue-in-cheek 
          approach to Dixieland classics adds to its 
          accessibility. With 28 tracks totalling more 
          than 76 minutes, this is a generous sample 
          of the work of a musician who was rather more 
          than a one-hit wonder. 
        
 
          Tony Augarde