Collection: Paul Whiteman and his Orchestra - 
	  Say it with Music
	   ASV Living Era CD AJA5291
	  Mono
 ASV Living Era CD AJA5291
	  Mono
	  
	  
	  
	    Collection: Jimmy Dorsey and his Orchestra
	  - 
	  Amapola
	   ASV Living Era CD AJA
	  5287 mono
  ASV Living Era CD AJA
	  5287 mono
	  
	  
	  
	  
	   
	  
	  Collection: Paul Whiteman and his Orchestra - Say it with
	  Music  
	  
	    
	      
		| 1. The Japanese Sandman 2. My Mammy.
 3. Cherie
 4. Say it with Music
 5. Stumbling.
 6. Hot Lips.
 7. Parade of the Wooden Soldiers.
 8. Linger Awhile.
 | 9. What'll I Do. 10. Somebody Loves Me.
 11. Valencia.
 12. The Birth of the Blues.
 13. In a little Spanish Town.
 14. My Blue Heaven.
 15. Among my Souvenirs .
 16. Ramona.
 | 17. Ol' Man River 18. Together.
 19. My Angel.
 20. Great Day.
 21. Body and Soul.
 22. All of Me.
 23 Smoke Gets in Your Eyes
 | 
	    
	  
	  
	    Collection: Jimmy Dorsey and his Orchestra
	  - Amapola
	  
	    
	      
		| 1. I'm an Old Cow Hand. 2. Never in a Million Years.
 3. Too Marvellous for Words.
 4. I Fall in love with you Everyday.
 5. Change Partners.
 6. Hold Tight Hold Tight.
 7. Deep Purple.
 8. Six Lessons from Madam La Zonga.
 | 9. The Breeze and I. 10. I Hear a Rhapsody.
 11. High on a Windy Hill.
 12. Amapola.
 13. Yours.
 14. My Sister and I.
 15. Maria Elena.
 16. Green Eyes.
 | 17. Blue Champagne. 18. Jim.
 19. Tangerine.
 20. My Devotion.
 21. Besame mucho.
 22. Star Eyes.
 23. They're Either Too Young or Too Old.
 24. When they ask about you.
 | 
	    
	  
	  
	  
	    
	  
	  
	  I have chosen to cover these two records in one review because together they
	  contain typical music from Big Bands in the era 1920 to 1943, some 23 years.
	  Paul Whiteman from 1920 to 1933 and Jimmy Dorsey from 1936 to 1943. From
	  a social history point of view, probably even more importantly, they represent
	  popular music of that era. All the tracks on both records were hit recordings
	  and so if television had been invented somewhat earlier, we are hearing what
	  would have been on" Top of the Pops" in those days!
	  
	  The production of both albums was carried out by the same team, transcriptions
	  from the original 78's by Peter Dempsey and David Lennick, whilst audio
	  restoration and remastering was carried out by Martin Haskell and Tim Debney.
	  They have done a really excellent job, because these tracks are not marred
	  by any of the scratch and hiss that were the bugbear of the 78 rpm recording.
	  
	  Paul Whiteman employed many of the famous jazz musicians of the time including
	  Bix Beiderbecke, Bunny Berigan, Tommy Dorsey, Jimmy Dorsey, Frankie Trumbauer
	  and Eddie Lang. Little is heard of their improvising ability however and
	  it was probably the prospect of regular work that attracted them, more than
	  the musical experience! Despite this Paul Whiteman played an important part
	  in the history of both Big Bands and popular music in general, to the many
	  fans of the music of the 20's and 30's this represents a musical feast.
	  
	  The Dorsey brothers Tommy and Jimmy seem to have spent most of their lives
	  in disagreement, only coming together occasionally with the Dorsey Brothers
	  Orchestra. They seem to have been of a remarkably different temperament,
	  though each was an excellent musician. Tommy was a disciplinarian whereas
	  Jimmy was easy going and humorous. The tracks on the CD are mostly of tunes
	  which are still frequently heard to-day, Bing Crosby is the vocalist on the
	  first three tracks and it is easy to see why they were so popular. All of
	  the tracks have vocals and the remainder are shared between Bob Eberly, Helen
	  O'Connell and Kitty Kallen, who were the bands regular vocalists at the time.
	  The Andrews Sisters make a surprise appearance on track 6.
	  
	  In reviewing these albums it is noticeable, as to how the rhythm sections
	  gradually move from the plodding sounds of the early 20's, toward the looser
	  sounds of the 40's a trend which has continued up to to-day. These albums
	  represent two unique pieces of history in the development of Popular Music
	  and the Big Band, the standard of musicianship throughout, is such that there
	  is little doubt that Paul Whiteman and Jimmy Dorsey employed the best musicians
	  that were around at the time.
	  
	  Both albums are worthy of three stars.
	  
	  Reviewer
	  
	  Don Mather
	  
	  