This live recording made in Stuttgart some ten years ago is a superbly dramatic realisation of the piece. Mendelssohn’s music for Oedipus in Kolonos
is less well-known than his of that for Antigone
). Both sets of incidental music (also recorded by Brilliant Classics
) were commissions from the Prussian king Frederick William IV who was on a mission during the 1840s to reinvigorate the genre of classic drama in Berlin including Greek tragedy but also Shakespeare and other “great” playwrights. Mendelssohn was also asked to compose music for Æschylus’s Oresteia
trilogy, but he declined the commission – much to posterity’s loss.
The Oedipus in Kolonos
score does not justify its neglect being characterful, well-composed and sensitive music. In particular, I was impressed by the interesting variety of compositional textures which Mendelssohn employs for the realisation of the Choruses, from musical declamation through to eight-part polyphony.
On this release from Carus we have a committed and convincing performance from all involved. There is some very impressive dovetailing of spoken words and text - several of the actors have a strong element of musical training and this lends credence and polish to the entire proceedings.
The orchestral playing from the Klassische Philharmonie Stuttgart under the baton of Frieder Bernius is focused and well-articulated. The balance within that ensemble is also good and the brass are used colouristically and do not dominate the texture. The singing is of a very high quality as well, with clear enunciation from the Kammerchor Stuttgart. The overall balance is also near-ideal with just the very occasional moment when the orchestra threatens to cover the women’s voices.
The booklet is an integral part of the disc — so no jewel case — and contains, pleasingly, the texts as well as good notes from R. Larry Todd - albeit the presentation of these is a little congested.
We should note that Bernius and Carus have also recorded Mendelssohn's music for Antigone
Overall, the present Oedipus
CD is an excellent disc, well thought-through and boasting the highest standards of music-making.
Andante-Allegro moderato- Piu lento. O schau! Er entfloh
Allegro moderato – Allegro tranquillo. Grausam ist es, o Freund
Allegro tranquillo. ZurSpeak rossprangenden Flur, o Freund
Allegro – Lento. Weh mir! – In Kurzem solist du mehr wehrfuen noch
Allegro Vivace – Allegro maestoso, ma vivace. Ach, wär ich, wo bald die Schar
Andante. Wer ein längeres Lebensteil wünscht
Lento – Allegro molto. Auf ums bricht von dem blinden Greis
Adagio. Ist es verstattet, dich, mäctige Gottin
Sostenuto assai – Allegro – Andante Adagio maestoso. Weh uns! Überall und ewig mussen wir klagen