Leoš JANÁČEK (1854-1928)
Taras Bulba, JW VI/15 (1918) [24:57]
Lachian Dances, JW VI/17 (1889-1890) [20:32]
Moravian Dances, JW VI/7 (1891) [9:09]
Warsaw Philharmonic Orchestra/Antoni Wit
rec. Warsaw Philharmonic Hall, 2-3 September 2010; 26 April 2011 (Taras Bulba,
Moravian Dances); Witold Lutoslawski Studio of Polish Radio, 12-13 October
2010 (Lachian Dances)
NAXOS 8.572695 [54:39]
I’m a staunch supporter of Antoni Wit and his hard-working Warsaw band.
Their discs of central and east European repertoire have given me much pleasure
over the years. That said, I do wonder if this busy schedule is taking its
toll. Their recent BD-A of the Glagolitic Mass and Sinfonietta
- review
- was surprisingly subdued and frankly rather ponderous. Despite the high-res
format the sonics aren’t up to much either. That’s why I approached
this new CD with trepidation, hoping for a blood-curdling rhapsody and some
idiomatic dances. As ever, Sir Charles Mackerras is the benchmark in this
repertoire. His classic Taras Bulba from Vienna is included
in Decca’s 5-CD set of Janáček’s chamber and orchestral
works (475 523-2).
The first few minutes of Wit’s Taras Bulba are not encouraging,
with flaccid rhythms and a fatal lack of impetus. These failings are all too
familiar from their earlier recording. The sound is fierce and shallow where
Mackerras’s is warm and full-throated. The tuning of the Warsaw organ
in ‘The Death of Andrei’ is suspect too. It makes the whole enterprise
seem woefully ill-prepared and hurriedly executed. Dipping into Mackerras’s
gloriously propulsive account one senses a strong narrative; moreover, speeds
are wholly convincing and the work’s dramatic peaks are perfectly judged.
Against this irresistible torrent Wit’s version is a mere trickle, his
players overwhelmed by the amplitude and urgency of their Viennese counterparts.
A dispiriting start, but perhaps the folk dances will bring some much-needed
lift. François Huybrechts’ Lachian Dances with the London
Philharmonic - also included in the Decca box - have been characterised by
Jonathan Woolf as ‘perfectly decent but not very special’; it’s
a sentiment I share. Listening to them now I was much impressed by the forgotten
thrill and temperament of the first Starodávný; the LPO
are in cracking form. Once again the Warsaw players are found wanting, as
is the recording, which is just too close and coarse for my taste.
I suppose one could argue that Wit’s readings have an authentic earthiness,
but Mackerras and others have shown that refinement need not compromise character.
Janáček’s piquant harmonies and gruff rhythms are just as
easily discerned and enjoyed when played by well-upholstered ensembles. That
said, I’m pleased to report Wit’s Požehnaný
is delectably done, even if the ear-pricking LPO bells are more atmospheric;
his Dymák and the second Starodávný are
serviceable. It’s a pity the soundstage isn’t as deep or as wide
as it is for Decca. Also, I don’t feel Wit points rhythms as subtly
as Huybrechts, whose control and consistency gain extra credence in such variable
company.
Matters improve somewhat in the Moravian Dances, the infectious lilt
of Kožich is very well managed and Trojky is given splendid
bounce. These are tantalising glimpses of what might have been, an upbeat
ending to an otherwise downbeat disc. I so wish I could be more complimentary
about Wit’s Janáček, but on these showings it doesn’t
even come close to the best in the catalogue.
Inexplicably dull; a very disappointing issue.
Dan Morgan
http://twitter.com/mahlerei
see also reviews by Brian
Reinhart (June 2012 Recording of the Month) and Paul
Godfrey
Inexplicably dull; a very disappointing issue.