Send In The Clowns
Jan KOETSIER (1911-2006)
Kinderzirkus, Op. 79b [13:18]
Stephen SONDHEIM (b. 1930) (arr. Roger Harvey)
Send In The Clowns [3:32]
Johann Sebastian BACH (1685-1750) (arr. Roger Harvey)
Badinerie, from Orchestral Suite No. 2 in B minor, BWV 1067
(1738/39) [1:18]
Stephen FOSTER (1826-1864) (arr. Roger Harvey)
I Dream of Jeannie with the Light Brown Hair [2:42]
Julius FUCIK (1872-1916) (arr. Roger Harvey)
Entrance of the Gladiators [2:40]
TRADITIONAL (arr. Roger Harvey)
Negro Spiritual - The Battle of Jericho [3:26]
Fritz KREISLER (1875-1962)/Roger HARVEY (b.1949)
Variations on a theme by Corelli [4:23]
Henry MANCINI (1924-1994) (arr. John Iveson)
Days of Wine and Roses [3:08]
Goff RICHARDS (b.1941)
Homage to the Noble Grape [16:30]
London Brass
rec. June 1989, St. Barnabas Church, Woodside Park, London. DDD
WARNER CLASSICS 2564 68617-4 [57:57]
The brass arrangement of a J. S. Bach score was the initial attraction to
this disc. It’s just over a minute long.
Nothing is offered in the notes about London Brass apart from a list of names.
A shy lot obviously. Hiding their light under a bushel, maybe? So a visit
to the World Wide Web is necessitated to research through Google. Many marketing
people seem to think that all music-lovers use computers, when they don’t.
Now a browse through the London Brass website and the chance to discover something
about this mysterious ensemble. I am informed on their website that, “London
Brass was formed in 1986, for the purpose of promoting the virtuosity and
sonority of classical chamber brass music.” Another surprise was that
this disc Send In The Clowns is not even mentioned on their website.
A paddle down the pages of Amazon finds me this release but sadly no image
is available of the front cover. Gosh, London Brass really are shy. Oh, what’s
this, another disc from London Brass released in 1989 titled Kinder Zirkus
on Teldec 2292-46069-2? There’s no track-listing provided but given
that Send In The Clowns was recorded in 1989 what are the chances that
this is the same disc? I come across a 1990 disc on eBay from London Brass
with the title Clowning Around which is definitely the same programme.
I have to smile as I read that the seller has described the disc as a, “Rare
hard to find CD.” So it looks like the same disc might have been issued
more than once previously and wearing different clothes. This reviewing exercise
is becoming life-enhancing for me as it feels like I’m turning into a detective
from New Scotland Yard. I’ve not even heard the music yet.
The opening work is Jan Koetsier’s Kinderzirkus which is cast in nine
very brief tableaux. The first and final movements Little Circus March
and Grand Finale are brisk, bright and uplifting. One can easily
imagine the sense of losing balance in The Tightrope Walker. In The
Juggler it is easy to picture the intensity of concentration of the circus
performer in full flow. In The Dancing Bear the superb tuba playing
surprisingly evokes a rather sad and downtrodden animal. I liked The Magician
- a light and carefree portrait where thrills and spills are contrasted
with a serious sense of anticipation of a nocturnal character.
In Stephen Sondheim’s Send In The Clowns the plaintive strains of the
flugelhorn solo are delivered with smoothness and precision. The arrangement
of the Badinerie from Bach’s Orchestral Suite No. 2 in B minor,
BWV 1067 is played effortlessly by the horn soloist with seeming indifference
to the virtuoso demands of the score. Here I make a plea for more Bach arrangements
for brass. The trombone soloist is in fine form in Stephen Foster’s I Dream
of Jeannie with the Light Brown Hair. In the central section of the piece
I loved the playing of the spine-tingling tutti.
Julius Fucik’s Entrance of the Gladiators has become a highly popular
circus theme-tune which is as foot-tapping as ever. I loved the sultry trumpet
solo in the traditional Negro Spiritual The Battle of Jericho. This
impressive Roger Harvey arrangement with its varied moods has a night-time
spirit and is superbly played. This version by Fritz Kreisler and Roger Harvey
of Variations on a theme by Corelli is a showpiece that demonstrates
the London Brass at their best. Henry Mancini’s Days of Wine and Roses
features the bass trombone where the soloist reaches right down to his
boots. Again, I was aware of an underlying nocturnal feel in the writing.
Goff Richards’s Homage to the Noble Grape is an entertaining five-movement
tableau which is, as the title suggests, a celebration of the composer’s love
of wine. The opening movement Champagne fizzes with fun and frolics,
and the chic and carefree Chablis may be reminiscent for some of 1960s
cocktail bars. Frivolous and playful Chianti is a cheeky little number
that contrasts with the rounder and weightier Hock that suggests an
Oktoberfest spirit of lederhosen and oompah bands. Fun and games, and
corks popping imbue the final track - the tableau Fundadore - And Some
More Champagne. At times an excess of the noble grape seems to have taken
its toll. All good fun and well played too.
London Brass demonstrate their excellent talents on this entertaining release.
Overall I was impressed by their secure ensemble, broad and adventurous dynamics
and superb tone. The notes that accompany the release are as basic as I have
ever seen. Apart from a track-listing and the names of the fourteen players
and their instruments the cupboard is virtually bare. Curiously, there are
two spare pages in the booklet that are pretty much blank. This is a release
let down only by slack presentation. It is to be hoped that London Brass will
get their marketing right for future releases. During the course of this review
I feel that I’ve been transported from being a Scotland Yard Detective to
having a new identity of Rumpole of the Bailey; with a glass or three in hand.
I’m exhausted now and I’m going off for a lie down. Joking aside, there are
some attractive and entertaining works contained on Send in the Clowns
and most impressively played too.
Michael Cookson