The music here is quite 
                listenable; at times urgently compelling, 
                at other times more quietly charming, 
                more melodic and graceful in style than 
                similar works by Beethoven (anybody’s 
                would be) and a little less glib than 
                those by Mendelssohn (again, almost 
                anybody’s would be) perhaps sounding 
                like very, very late Mozart, say about 
                1798. The performers are thoroughly 
                committed. It is difficult to imagine 
                the music being performed any better 
                than this. 
              
 
              
The jewelbox erroneously 
                lists Ries’ death year as ‘1873.’ Especially 
                when we are being presented with unfamiliar 
                music, it must be pointed out that there 
                is room on this disk for a third piano 
                quartet or other similar work. A good 
                choice would have been Ries’ Piano Quartet 
                #3, Op 129. 
              
 
              
Ries was born 18 November 
                1784 in Bonn. His father Franz Anton 
                Ries had been Beethoven’s violin teacher 
                in Bonn. Ferdinand studied piano with 
                Beethoven from 1802 to 1805, studied 
                cello with Romberg, and composition 
                with Albrechtsburger. When Ries was 
                ready to look for a job, Beethoven helped 
                him with recommendations. J. P. Salomon 
                had been a teacher of the elder Ries, 
                and Salomon invited Ferdinand to London 
                in 1813. Ries performed his own works 
                there as well as Beethoven’s with the 
                Philharmonic Society, thereby increasing 
                the popularity of Beethoven in England. 
                In 1814 he married an English woman 
                then retired to Germany. Ferdinand died 
                in 1838. 
              
 
              
CPO’s recording of 
                Ries’ Symphonies 7 & 8 was well 
                reviewed by me on MusicWeb. But these 
                trios are finer music, and more original 
                than the symphonies. If there was more 
                justice in the musical world they’d 
                be heard much more often. 
              
 
              
Paul Shoemaker