One of the most grown-up review sites around
One of the most grown-up review sites around

Search MusicWeb Here


International mailing

Up to 40% off

  Founder: Len Mullenger


Crotchet   AmazonUK   AmazonUS

Pyotr Ilyich TCHAIKOVSKY (1840-1893)
String Quartet No.1 in D Op.11 (1871) [28.50]
String Quartet in B flat major (1865) [13.21]
String Quartet No.2 in F Op.22 (1874) [35.29]
String Quartet No.3 in E flat minor Op.30 (1876) [38.15]
String Sextet in D minor Souvenir de Florence Op.70 (1890) [34.25]
Borodin Quartet with Yuri Yurov (viola) and Mihail Milman (cello)
recorded in the Teldec Studios, Berlin and Snape Maltings Concert Hall in January 1993
WARNER CLASSICS ELATUS 2564 61774-2 [77.07 + 74.04]

Tchaikovsky was still studying at St Petersburg’s Conservatory when he began work on the B flat major string quartet in August 1865, only to abandon it three months later after completing only the tri-partite first movement. Cast in usual sonata form, the first subject has its origins in a Russian folksong, unsure of major or minor mode. His last chamber work, the string sextet entitled Souvenir de Florence, was written at his summer retreat at Frolovskoye near Klin barely three years before the composer’s death, and recalls a visit he had made to Italy. Its Adagio recalls his Fifth Symphony, and though all the other three movements are in the minor, there is nevertheless a more cheerful feel to the work than such a characteristic would imply. Tchaikovsky’s three string quartets were written in the 1870s as the composer was beginning to put together the building blocks of his career. The First, in 1871, was dashed off as part of a programme of his latest music, which he pragmatically decided should be of chamber music rather than more expensive orchestral fare. Its style varies between harking back to the classical period while a Russian folksong (a snatch of the Song of the Volga Boatman is easily identifiable) is said to have moved the author Tolstoy to tears (it was later arranged for cello and orchestra). The rest consists of a whimsical scherzo with rhythmic aberrations and a sonata-form finale. Three years later the Second Quartet opens with interesting chromatic dissonances, the scherzo once again offsets rhythmic interplay of duple and triple metre, the slow movement takes its listener to the depths of Tchaikovsky’s emotional despair, while the finale employs devices such as fugue and homophony. The Third Quartet was written a couple of years later in 1876, in the year his violin concerto was finally given its premiere by Brodsky in Vienna under Richter. In the uncomfortable key for a string player of E flat minor, the work seems more personalised than its predecessors. It was dedicated to the violinist Ferdinand Laub, who had died the year before, so a funeral march becomes its pivotal third movement, while the preceding joyous scherzo is notably brief. Only the more cheerful Rondo-Finale sweeps away the mood of pervading gloom and tragedy.

These are superb performances given by one of the world’s finest string quartets, with special mention made of the lavish textures achieved in the sextet. Unanimity of ensemble is exemplary, the sound finely judged and balanced at both Russian and UK venues. The Borodin Quartet’s playing is suffused with directness and simplicity of phrasing, and no better rendition of the Russian style comes to mind. The clever emphasis on the composer’s witty rhythmic inventiveness (forever playing with uneven five-in-a-bar time signatures), and the magical experience of listening to a group of four players sounding at times like a string orchestra of forty will remain indelibly unforgettable. Tchaikovsky’s output of chamber music for strings is very well served by this double set of excellent discs.

Christopher Fifield

We are currently offering in excess of 52,619 reviews

Advertising on

Donate and keep us afloat


New Releases

Naxos Classical

Nimbus Podcast

Obtain 10% discount

Special offer 50% off
15CDs £83 incl. postage

Musicweb sells the following labels

Altus 10% off
Atoll 10% off
CRD 10% off
Hallé 10% off
Lyrita 10% off
Nimbus 10% off
Nimbus Alliance
Prima voce 10% off
Red Priest 10% off
Retrospective 10% off
Saydisc 10% off
Sterling 10% off

Follow us on Twitter

Subscribe to our free weekly review listing

Sample: See what you will get

Editorial Board
MusicWeb International
Founding Editor
Rob Barnett
Editor in Chief
John Quinn
Seen & Heard
Editor Emeritus
   Bill Kenny
MusicWeb Webmaster
   David Barker
Jonathan Woolf
MusicWeb Founder
   Len Mullenger

Return to Index

Untitled Document

Reviews from previous months
Join the mailing list and receive a hyperlinked weekly update on the discs reviewed. details
We welcome feedback on our reviews. Please use the Bulletin Board
Please paste in the first line of your comments the URL of the review to which you refer.