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Salon Orchestral favourites: Volume 3 Julius FUČÍK (1872-1916) Florentiner Marsch (1907) Benjamin GODARD (1849-1895) Berceuse from the opera Jocelyn (1888) Oscar STRAUSS (1870-1895) Liese, ganz leise klingt’s durch den Raum from A Waltz Dream (1907) Franz von SUPPÉ (1819-1895) Teufelsmarsch (Devil’s March) Richard HEUBERGER (1850-1914) In chamber séparée, Intermezzo from the operetta The Opera Ball (1898) Sir Edward ELGAR (1857-1934) Salut d’amour (1888) Chanson de nuit (1897) Chanson de matin (1899) Emmerich KÁLMÁN (1882-1953) Potpourri from Die Csárdásfürstin (1915) Anton DVOŘÁK (1841-1904) Humoresque (1894) Joseph STRAUSS (1827-1870) Die Libelle (The Dragon Fly) Polka Mazurka Karel KOMZÁK (1850-1905) Storm Gallop Fritz KREISLER (1875-1962) Liebesleid Liebesfreud Jules MASSENET (1842-1912) Méditation from the opera Thaïs (1892-3) Salonorchester Schwanen/George Huber recorded in the Clara-Wieck-Auditorium, Sandhausen, 15-17 November 2002 NAXOS 8.557048 [63:45]

Here is a third volume of light music favourites performed with élan and affection by Georg Huber’s ten-strong Salonorchester Schwanen. It’s the sort of programme that even if you do not know all the items by name you will certainly recognise most of the melodies. Taking pride of place is the 17-minute ‘Potpourri’ from Kálmán’s popular operetta, Die Csárdásfürstin (‘The Gypsy Princess’), composed in 1915 towards the end of the grand Viennese era. One lovely tune tumbling after another, entrances the ear. Other Viennese representations in this sparkling concert include old favourites: Kreisler’s spellbinding Liebesleid and Liebesfreud unashamedly afforded the full old-fashioned sentimental treatment; the haunting ‘Im chamber séparée’ from Heuberger’s The Opera Ball, and Oscar Strauss’s lilting Waltz Dream number. Then there is Suppé’s swaggeringly exuberant Devil’s March, Josef Stauss’s buzzing little Dragon Fly and Komzák’s amusingly evocative Storm Galop with the horses clearly anxious to get under cover, and Fučík’s equally amusing and cheeky military take-off, the Florentiner Marsch, its trio instantly recognisable. Moving on to France, we have Godard’s lovely ‘Berceuse’ from his opera Jocelyn and Massenet’s ever-popular ‘Méditation’ from Thaïs, given a ripely sentimental and dramatic reading here. A somewhat twee rendition of Dvořák’s Humoresque and rather continental renditions of Elgar’s Salut d’amour and the Chansons (Matin done in an unseemly rush) with odd saxophone and accordion colourings complete the programme. On the whole, an entrancing hour of salon favourites played in the unashamed old sentimental style with élan and enthusiasm. Ian Lace     Advertising on Musicweb Donate and keep us afloat   New Releases Nimbus Podcast Obtain 10% discount Special offer 50% off Musicweb sells the following labels Acte Préalable (THE Polish label) Altus 10% off Atoll 10% off CRD 10% off Hallé 10% off Lyrita 10% off Nimbus 10% off Nimbus Alliance Prima voce 10% off Red Priest 10% off Retrospective 10% off Saydisc 10% off Sterling 10% off Follow us on Twitter Subscribe to our free weekly review listing sample Sample: See what you will get Editorial Board MusicWeb International Founding Editor    Rob Barnett Senior Editor John Quinn Seen & Heard Editor Emeritus    Bill Kenny Editor in Chief    Vacant MusicWeb Webmaster    David Barker MusicWeb Founder    Len Mullenger

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