Daniel Ott's part-composed, 
                part-improvised piece was prepared for 
                the Swiss Pavilion's Sound Box at Hannover's 
                Expo 2000. Some three hundred musicians 
                contributed when it was given at the 
                Expo - they are all named in the booklet. 
              
 
              
The piece is recreated 
                here by 24 instrumentalists. The splendidly 
                detailed notes give extensive background 
                stressing the music’s linkage with the 
                larch and pine architecture and the 
                wide-ranging catholicity of the Swiss 
                sources on which Ott draws. The soundworld 
                is eclectic. There is the gemutlich 
                Bettina and Hans (trs. 
                4 and 13) in which a ruddy-cheeked rustic 
                sentimental waltz is corroded until 
                it collapses into a flailing gamelan 
                rout from which the body parts of the 
                waltz reach out in agony. Accordions 
                chatter and saxophones wail. There is 
                even an alphorn, driven and dashed by 
                keyboard figures that slam and rush 
                in a minimalist Nyman-like insistence 
                that will not be denied. 19/12 begins 
                with a horrific vision of bedlam which 
                decays into a quiet patter. Avant-garde 
                jazz crosses into Ott's creativity as 
                does some rather desiccated percussive 
                effects in E-Bass (tr. 12). 
              
 
              
Ott, composer and pianist, 
                studied theatre in Paris and London 
                and composition in Essen and Freiburg. 
                In 1990 he founded the festival Contemporary 
                Music Rümlingen. He teaches experimental 
                music at the University of the Arts 
                in Berlin (see www.danielott.com). 
              
 
              
Another superbly documented 
                and executed volume of Swiss modernism 
                from MGB. Would that British resources 
                stretched to such ambitious projects 
                and to the concomitant open-mindedness 
                that permits such risk-taking. 
              
Rob Barnett