This disc neatly complements the Naxos CD of 
                the Piano Trio and Piano Quartet. How good it is to encounter 
                Widor outside the organ loft! His First Sonata is a surprisingly 
                classical piece with more intimations of Beethoven than of Franck. 
                This is not startlingly original but certainly contains much satisfying 
                writing. This at its freshest in the cheeky allegro vivace. 
                Contrast this work with the similarly three movement Second 
                Violin Sonata but at twenty minutes some five minutes shorter 
                than the earlier piece. This sonata was written in 1907 but revised, 
                to what extent we are not told, in 1937. While there are some 
                Beethovenian tics and twitches, especially in the piano part, 
                Widor here is much more the Franckian. The violin has that surging 
                and searching line typical of works with indebtedness to the school 
                of Franck. After a halting andante where I thought things 
                began to shamble comes a finale that, after some flourishes from 
                the Bach unaccompanied sonatas, gains an awkward emphatic confidence 
                and brusque energy. John R Near's encyclopaedic liner note tells 
                us that the manuscript of this work was sold for the profit of 
                French orphans of the Great War and carries a sale date of Paris 
                10 February 1921. 
              
 
              
The Romance is a moony ‘song without words’, 
                delectable in an undulating sense but warmed by salon sensibility; 
                beautifully rounded and most touchingly played by both artists. 
                The friction-less main theme of the rocking and searching Cavatine 
                is romantically inclined and derives from the fifth movement of 
                the 1886 Eighth Organ Symphony. Widor was to reuse it again in 
                his 1911 Symphonie Antique for orchestra and chorus. Ms 
                Packer manages the high fade-out of the work’s conclusion with 
                wonderful sensitivity. 
              
 
              
The Suite Florentine is the latest work 
                here. It is in four short movements of joviality, limelight and 
                fragrance. Rather like the equivalent genre pieces by Frank Bridge 
                these unassuming pieces are full of modest companionable charm 
                and sprightly zest. 
              
 
              
Janet Packer's credentials are modern rather 
                than high romantic - though she does that full credit here. She 
                has, for example, commissioned and premiered works by Gardner 
                Read, Vagn Holmboe and Andew Imbrie. She has also performed works 
                by Vittorio Rieti and William Thomas McKinley. Through the Pro 
                Violino Foundation she proselytises for modern violin music. 
              
 
              
Widor was no revolutionary and eventually stayed 
                comfortably in the Franckiste camp. 
              
 
              
Rob Barnett