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2020 |
Founder:
Len Mullenger Editor
in Chief:John Quinn
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BUY NOW Crotchet £19.99 AmazonUK AmazonUS For the symphonies in this complete Mozart edition, Brilliant Classics brought in the newly-formed Mozart Akademie Amsterdam, led by Jaap ter Linden. This group plays on original instruments, and benefits from ter Linden’s vast experience is the early music movement. The symphonies here are far from the over-instrumented versions most listeners are familiar with, and show Mozart’s symphonic music in a very interesting light. Subtle, spirited playing by the Mozart Akademie, together with sprightly tempi in the fast movements, give this set an energetic tone.
The earlier works, while less musically dense and complex, give hints of what Mozart would become. The first disc of this set contains 5 early symphonies - together with symphony number 45 - which show the earliest examples of this form. The symphony was still young at this time; Haydn had just started composing his 104 masterpieces. Mozart’s early symphonies are a bit simplistic and limited, but interesting nevertheless. Witness the delightfully pastoral sound of the 4th symphony in D major; it’s naïve melodies capture an almost childish sound.
The Molto allegro of symphony no. 14 shows Mozart’s music in its vigorous form. The orchestra is incisive and energetic in the rapid string parts, and has an excellent rounded sound in the solo parts. The flutes are restrained, but the overall energy is concentrated and lively.
The opening movement of symphony no. 30, also a Molto allegro, represents another Mozart - here he is the regal and forceful with the sound reinforced with timpani and strong rhythmic impetus. Again, the orchestra maintains a pleasing balance and texture.
The recording of these works is admirable, the orchestra is well-balanced, and the overall dynamics are well judged. The sound remains intimate, due to restrained use of reverb.
All in all, this is another enviable volume in Brilliant Classics’ Mozart Edition. The overall sound of the orchestra is well contrived, and the texture produced by use of original instruments gives this music a sound much closer to the baroque than the romantic. At this bargain price, it is certainly worth having. Kirk McElhearn
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