"From all the tones, 
        
Regards are sent by Björnsen and by Grieg. 
        
Give it wings, let it go! 
        
Norwegian music! Norwegian music!" 
        
  
        
        
 
        
        
So ends Impromptu, track 6 of this delightful 
          and unusual disc. Singphoniker are new to me, but I have immediately 
          become a firm fan! There are five voices – two tenors, a baritone, a 
          bass baritone and a bass, and, even to those of us brought up on the 
          Kings Singers and Swingle 2, they sing with astonishing ensemble and 
          perfection of tuning. 
        
 
        
The composer is Grieg here, and it is great to see 
          that he is beginning to receive full recognition now for his genius. 
          While he used to be a ‘two-work-wonder’, with his reputation based more 
          or less entirely on the Piano Concerto and the Peer Gynt music, 
          almost every month there seem to be new issues exploring the lengths 
          and depths of his output. These part-songs for male voices are quite 
          wonderful pieces, hovering stylistically somewhere between Schubert 
          and barber-shop, and if that sounds like curry-flavoured ice-cream, 
          I assure you it’s much, much nicer than that! There is humour, 
          romance, and above all, a wonderful sense of narrative, which Singphoniker 
          bring to life superbly and, apparently, without effort. Melody was 
          one of Grieg’s strong points, as was harmony, and the singers impeccable 
          intonation allows the scrumptious chromatic harmonies to be experienced 
          at their most expressive. Listen to the tonal side-slips of track 3, 
          Evening Mood – it’s music to make you shiver with pleasure, and 
          so perfectly done here. 
        
 
        
Some of the songs are individual compositions, but 
          the disc also includes the complete Album for Male Chorus, op. 30, 
          which has twelve individual songs of great beauty. The two Hallings 
          ('Halling' being a Norwegian dance) are wordless, and sung to nonsense 
          syllables, bringing welcome contrast. Possibly my favourite of all was 
          the Children’s Song on track 8, with its miaowing cat and drum 
          sounds. 
        
 
        
The recording is ideal – close but not up their noses, 
          while the booklet is informative, and includes all the texts with translations 
          laid out in such a way to make them easily referred to. Thank-you to 
          CPO for an imaginative and highly entertaining issue, with music-making 
          of the highest quality. 
          Gwyn Parry-Jones