> Heitor VILLA-LOBOS Chamber and Choral Music [PW]: Classical CD Reviews- Jun2002 MusicWeb(UK)






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Heitor VILLA-LOBOS

Chamber and Choral Music

Sesteto Místico [7’07"]
Two Chôros bis [4’37" 3’55"]
Quatuor [8’47" 8’41" 3’55"]
Chôros No. 7 [8’54"]
Bachianas Brasilieras No. 9 [2’42" 6’48"]
Lontano and The BBC Singers
Conducted by Odaline de la Martinez
Recordings made in St Silas Church, London NW5, 1992
LORELT LNT 102 [56’05"]

Lorelt

Given that he was a hugely prolific composer, writing at that point of the twentieth century before rampant modernism began to scare audiences away, and that his output covers almost every conceivable genre and style, it is surprising that Heitor Villa-Lobos should not be more of a household name than he is. The famous Bachianas Brasilieras No 5 for soprano and eight cellos is the only work to have become ‘Classic FM’ recognisable. Fortunately, this excellent disc of chamber music performed by the BBC Singers and the flexible instrumental group Lontano opts for a performance of the rather more interesting Bachianas Brasilieras No 9, written in 1945. This choral showpiece really exposes the links that Villa-Lobos was making between the musical idioms of his native Brazil and the structural and intellectual precepts of the music of his hero, Bach. The fugue in particular is a tightly wrought compositional exercise, but the Brazilian rhythmic flavours permeate the whole. The BBC Singers, under the direction of Odaline de la Martinez, a great champion of Latin and South American classical music, sing this with the tightness of ensemble and the easy virtuosity that one would expect from such a professional group. The result is instantly engaging, and yet not without intellectual stimulation. A good combination.

The only other work on this disc to make any use of voices is the Quatuor from 1921. This is a fascinating work scored for flute, alto saxophone, celesta, harp and female voices (not really a quartet at all then). This is about as far in terms of timbre as it can get from the traditional quartet of strings and the performers here utilise this wonderfully colourful palette well. The female voices, as in the famous Bachianas Brasilieras No 5, are entirely without words; the voice used as a pure instrument. The voices, together with the celesta and the harp give a strangely otherworldly quality and the effect is wonderful. The same ideas are apparent in the opening Sesteto Místico composed in 1917. While this is a most engaging work full of impressionist colours and harmonies, the mystic effect is not as fully worked out as in Quatuor. The composition occupies more of the sound world of Ravel, as indeed do the Two Chôros bis. This work for violin and cello makes much use of Ravel-esque rhythmic, almost percussive, string writing. The composition is so skilful that most of the piece sounds like it is for string quartet rather than merely duo.

Lontano is a flexible group of highly skilled musicians and their performances on this disc are both evocative and memorable. The programming is interesting and varied and bears repeated listening. There is in Villa-Lobos something at the same time familiar and different. His music really does deserve to be better known and more widely appreciated. This disc is a good place to start.

Peter Wells


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