This represents a jumbled gallimaufrey of popular middle 
          of the road Americana that would not shock what used to be the W.A.S.P. ascendancy. 
        
 
        
There are a selection of modest little arrangements 
          including one of the American Anthem, America the Beautiful sung 
          by Graves, a string quartet (here unnamed) and David Perry's guitar. 
          This is mournful folksy devotional stuff not helped by Denyce Graves' 
          vibrato. I am not a great admirer of Ms Graves voice at least not when 
          it is called on to sustain a note with any volume. 
        
 
        
Keith Lockhart's Star Spangled Banner is here. 
          This has the Tanglewood Festival Chorus singing with whispered sincerity 
          accompanied by the Boston Pops. A similar, though more blatant, intensity 
          radiates from the swinging confidence of Lift Every Voice and Sing 
          though I think it could go more uninhibitedly. Fiedler takes Lockhart's 
          place for a breathless Shenandoah. 
        
 
        
After such awed reverence Copland's Fanfare for 
          the Common Man rings out from Tilson Thomas and the San Francisco 
          Symphony. The Variations on a Shaker Melody 'Simple Gifts' is 
          chuckled and spun by the Philharmonia Virtuosi conducted by Richard 
          Kapp. Ernest Gold's From a Distance has Galway's flute and the 
          Galway Pops Orchestra conducted by Vincent Fanuele in a popsy sweet-'n'-easy 
          listening arrangement. Richard Stoltzmann and Irina Vallecillo give 
          us a boozy bluesy version of Amazing Grace. 
        
 
        
America (better known to Brits as God Save 
          the Queen) is taken by the Robert Shaw Chorale and RCA Victor Symphony 
          with Robert Shaw conducting. The Chorale are deep and rock-steady - 
          wonderfully coached. The same forces give us God Bless America with 
          a clunky moonlight serenade swing to it in Sing Something Simple 
          style; this will mean something to BBC Radio 2 listeners. In 
          the Battle Hymn of the Republic: Glory glory hallelujah is given 
          stentorian resolve and a very four-square swing. 
        
 
        
Marian Anderson's darkly masculine-accented voice is 
          accompanied by Franz Rupp in He's got the whole world in his hands. 
          In religious vein the Alleluia by crack choral and symphonic 
          composer, Randall Thompson is sung with reserved ecclesiastical tone 
          similar to the sound of Rutter. 
        
 
        
The words are not printed. 
        
 
        
A contrasted collection of American Classics predominantly 
          choral, or at least vocal. 
          Rob Barnett 
        
Proceeds from the sale of this CD will be donated to 
          the American Red Cross 
        
See also review 
          by Kirk McElhearn 
        
A contrasted collection of American popular classics 
          predominantly choral or at least vocal. ... see Full Review