Every May Day since 1991, the Berlin Philharmonic has 
          given a Concert in a major city within the general European area. They 
          have chosen different conductors to lead these concerts, and Claudio 
          Abbado has given the lion's share of these. 
        
 
        
This is another in TDK’s series of May Day concerts, 
          this time in the lush, highly decorative setting of the Maryinsky Theatre 
          in St. Petersburg. It represents another superb example of a video musical 
          event, with the long tradition of artistic excellence being conjured 
          up by the Berlin Philharmonic performing in one of the hallowed performing 
          centres of old Russia. 
        
 
        
Abbado chose to open the concert with a Maryinsky speciality 
          – Prokofiev’s Romeo and Juliet. What we have here is a very western 
          performance of the excerpts – lush, cultured playing, very different 
          to that normally experienced by this audience. Still, it is a superbly 
          drilled performance, with the players giving of their best right from 
          the beginning, and it is well received by the audience. In addition, 
          and this is very important, the orchestra seem to be enjoying themselves 
          with Abbado driving the playing very tightly, and with the players digging 
          into the notes in a very impressive way; total immersion – absolutely 
          no routine here! 
        
 
        
We are then treated to Anatoly Kocherga singing Aleko’s 
          Cavatina from Aleko. There is something about Russian singers 
          in their own repertoire. This singer, born in the Ukraine is no exception. 
          There is a richness of tone evident which many of our western singers 
          can only attempt at a distance. Here we have the real thing, and it 
          is well received by the audience, and this listener alike. 
        
 
        
Having completed the Russian element, Abbado then chose 
          Beethoven to finish off the concert. He chose the two Romances for violin 
          and orchestra, played by the leader of the BPO, Kolja Blacher. The concert 
          concludes with a rousing performance of Beethoven’s 7th Symphony. 
        
 
        
Throughout the concert, the video direction by Brian 
          Large is superb. His TV productions are well known to viewers of BBC 
          Proms recordings and other like events. 
        
 
        
Having completed the concert to a very appreciative 
          audience, Abbado and his band gave a very appropriate encore – The 
          Waltz of the Flowers by Tchaikovsky. This was first performed in 
          St. Petersburg. The overall impression of this DVD is one of immense 
          pleasure, and I cannot think of a higher recommendation, provided you 
          are happy with the repertoire presented here. 
        
 
          John Phillips