We have here to thank the ever busy Valerie Gergiev 
          for this stunning production of Tchaikovsky’s working of the Pushkin 
          tale. Gergiev seems to try to record almost every work in the repertoire 
          of his various ensembles, where the record company is prepare to go 
          along with his demands. 
        
 
        
We all know that the record industry is pulling in 
          its horns, and yet Gergiev’s releases come out with a regularity which 
          one would be led to believe that there was no problem. Philips have 
          us in their debt for the operas of many Russian composers, and the present 
          issue is no exception. There have been recordings of Pique Dame before, 
          and it is now even duplicated on DVD. 
        
 
        
This is not the same performance as that issued by 
          Philips on CD in 1992, as some of the principals were different. Also 
          the CD performance lasts 166 minutes against the current 179 minutes. 
          The CD however did not include curtain calls at beginning, through and 
          at the end, so the time differences between the two performances will 
          not be that significant. 
        
 
        
An outstanding feature of this issue apart from the 
          superb singing and playing is the production. This is of the old Russian 
          School, which causes British theatre critics apoplexy when the Kirov 
          Company is out on tour. I would far rather watch this type of production 
          than the now fashionable idea of having a plain background splashed 
          with bits of paint, looking quite as though a chimpanzee had been let 
          loose with a paint brush. 
        
 
        
This current issue is in every way a "traditional" 
          performance and Hooray, say I. Needless to say, Brian Large makes everything 
          he can of the magnificent setting, making for us a very satisfying opera 
          experience. 
        
 
        
This opera has had a very chequered history in recording, 
          and at last here we have a performance which displays a sweep and epic 
          atmosphere aided by superb playing and singing. Gergiev keeps the drama 
          moving and is not afraid to keep the pace moving forward without delay 
          which prevents stasis from setting in. 
        
 
        
The documentation is more than adequate, giving as 
          it does a track by track analysis introducing each passage by the first 
          line of the libretto. The good thing about DVD is the ability to choose 
          to have subtitles or not, and in this respect, Philips have provided 
          these in English, French, German, Italian, Spanish and Chinese. Being 
          a Unilingual Brit, I have not tried these out for accuracy but I am 
          sure like most examples of this type of product, there will be one or 
          two howlers in there somewhere. 
        
 
        
This is, in my opinion, now the most desirable version 
          in the catalogue of Tchaikovsky’s masterpiece, and the effect of the 
          music is enhanced greatly by the superb performance, production and 
          tasteful camera work of Brian Large. 
        
 
        
        
John Phillips