This seventh volume in the Brilliant Classics complete 
          Mozart edition includes the complete piano sonatas, some of Mozart’s 
          best-loved music, played by the Hungarian pianist, Klára Würtz. 
          While Würtz is a very competent pianist, something is lacking in 
          these performances. 
        
 
        
Mozart’s earliest piano sonatas are deceptively simple. 
          As Robert W. Gutman says in his 'Mozart', "Spare in texture, limpid, 
          and discreet, [they] flee the clouds and seek the open. For this they 
          pay a price when in the hands of a less than sensitive performer: then 
          they appear impoverished in character…" This is indeed what comes 
          through in this performance. While they are well-played, they lack the 
          sensitivity necessary to take them to a higher plane. Würtz plays 
          the notes, but does not play the feelings. There is nothing wrong with 
          her interpretation; they just do not go far enough. 
        
 
        
Klára Würtz negotiates all of the difficulties 
          very well, from the virtuoso prestos, such as that of the G major sonata 
          KV 283, to the complex runs and ornaments of the adagio of the B flat 
          major sonata KV 570. Her skills are obvious, but nothing seems to gel, 
          and the music does not take on its own individuality. 
        
 
        
The sound on these recordings has a bit too much reverb, 
          and the piano used does not sound quite right. This Steinberg sounds 
          somewhere between a fortepiano and a modern piano, and is lacking in 
          character. 
        
 
        
While Klára Würtz’s performance is not 
          unforgettable, it is competent. This bargain set is a good way to discover 
          these fine works, but, for truly inspired performances, pianists like 
          Alfred Brendel or Mitsuko Uchida are musically much better. 
        
 
        
        
Kirk McElhearn