Another real bargain from Naxos. It is one of the benefits 
          of an anniversary that a composer's achievement will be recognised by 
          performances and recordings of a range of his music, and this attractive 
          CD brings some excellent but little known pieces to public attention. 
        
 
        
The Choir of St John's College, Cambridge is developing 
          a creditable discography under Christopher Robinson's direction, including 
          composers such as Edmund Rubbra, Herbert Howells, John Tavener and Benjamin 
          Britten. Now their performances of Walton's sacred music form a true 
          centenary tribute. 
        
 
        
The opening piece is the inspired Coronation Te Deum, 
          a truly exhilarating expression of national joy, which sounds well in 
          this non-orchestral arrangement, thanks to Christopher Whitton's brilliantly 
          articulated organ playing. It isn't as satisfying as the orchestral 
          original, of course, but it is still very good. The same might be said 
          of the two organ solos, taking music from Henry V: good but not the 
          real thing. 
        
 
        
The acoustic of St John's Chapel is what these performers 
          are used to, and it is helpful to the sound they produce, with accurate 
          ensemble rewarded and a pleasant bloom to the atmospheric sound. The 
          Naxos engineers capture this well, both in the full toned music and 
          the smaller scale works which make up a significant part of the programme. 
        
 
        
The litany Drop, drop slow tears is beautifully shaped, 
          beautifully sung, with a special attention to shadings of dynamic which 
          is rewarding in itself. So too Set me as a seal upon thine heart, as 
          sensitive a choral miniature as one might wish to find. Among Walton's 
          later works, composed during the 1960s, The Twelve is a masterpiece 
          which abounds in originality, and it gains here from the freshness of 
          the performance and the sound. The Missa Brevis, composed for Coventry 
          Cathedral in 1966, is another discovery offered by this imaginative 
          compilation. 
        
 
        
In a field too often dominated by issues with inadequate 
          documentation, all praise to Naxos for their thorough and splendidly 
          produced booklet, which includes the full texts of the works performed. 
          
 
          Terry Barfoot