The organ music of Johann Sebastian Bach stands as 
          a singular monument both in the history of music for this instrument 
          and in the career of Helmut Walcha. This excellent organist recorded 
          all of Bach’s organ music (much of it several times), as well as most 
          of his keyboard music on harpsichord. 
        
 
        
Walcha lost his sight at an early age, and played music 
          only through memory, helped by his mother and, later, his wife, who 
          played the music on piano, one voice at a time. He later put the voices 
          together, and developed a deeply unique appreciation of the texture 
          of music. 
        
 
        
Walcha did not record very much music by other composers. 
          This disc, his last recording before his retirement at the age of 70, 
          is an overview of the music that stands as a foundation for Bach’s great 
          organ music. No one can deny the importance of Buxtehude in Bach’s career 
          - Bach walked a long distance to meet his elder, and stayed with him 
          for three months, absorbing much of his technique. Three works on this 
          disc are by Buxtehude - a prelude and fugue, which fits the standard 
          form for such works at that time, and two variation sets, the Chaconne 
          in C minor and the Passacaglia in D minor. Buxtehude wrote many such 
          works, both for organ and for harpsichord, where a basic melody is presented, 
          then embellished, developed and extrapolated. Listening to these works, 
          one cannot fail to appreciate how Bach must have felt listening to this 
          combination of melodic beauty and contrapuntal complexity. Walcha gives 
          works like this a rare balance, where the sum of the individual voices 
          is much greater than the parts. 
        
 
        
Other composers represented on this disc, which covers 
          the period from the 16th to the 18th centuries, include such well known 
          names as Johann Pachelbel and Georg Böhm, as well as lesser known 
          composers such as Nicolaus Bruhns, Samuel Scheidt and Vincent Lübeck. 
          The wide variety of music presented gives the listener a very good idea 
          of what Bach heard and studied - music which had a great influence on 
          his own compositions. 
        
 
        
This budget disc is certainly a real bargain, combining 
          Helmut Walcha’s masterful interpretations with a satisfyingly varied 
          selection of music. Whether interested in discovering Bach’s influences, 
          or simply curious to hear a fine selection of baroque organ music, this 
          is a must-have recording. 
          Kirk McElhearn