Carl Philipp Emanuel Bach was the most illustrious 
          of Johann Sebastian Bach’s sons. His composing career was long and he 
          was quite prolific, writing dozens of sonatas, concertos and other works. 
          (According to Miklós Spányi, there are 52 keyboard concertos 
          and 12 sonatinas, in addition to the many solo keyboard works.) This 
          recording contains five sonatas for clavichord. 
        
 
        
Miklós Spányi continues his monumental 
          inventory of C.P.E. Bach’s solo keyboard music with another selection 
          of works for clavichord, including two three-movement sonatas and nine 
          ‘Petites Pièces’ (Character pieces). The two sonatas follow the 
          standard fast-slow-fast sonata form, and, as often with C.P.E. Bach, 
          the middle movements are relatively short as compared to the outer movements. 
          We hear, as in all of the younger Bach’s sonatas, a wide variety of 
          melodic invention coupled with vigour and energy, especially in the 
          fast movements, which retain a clear dance-like rhythm. 
        
 
        
But the real pearls on this disc are the recordings 
          of the short ‘Petites Pièces’. Modelled after French harpsichord 
          composers’ pieces (especially those by Couperin and Dandrieu) which 
          presented character and personality traits, with names such as La Capricieuse, 
          L’Irresuloue, etc., and another set of four pieces named after people 
          (La Gause, La Pott, etc.), these are delightful miniatures which use 
          melodic and rhythmic idiosyncrasies to depict people and characters. 
          Brilliantly played by Spányi, these works (which are not world 
          premieres, as the disc claims - Marcia Hadjimarkos recently recorded 
          a disc of these pieces for Zig-Zag Territoires), are very different 
          from the sonatas on this recording, showing a wider range of themes 
          and developments. 
        
 
        
As usual, Miklós Spányi plays with feeling 
          and subtlety, and his clavichord has a fine sound, though there is a 
          bit too much reverb, which makes the bass notes boom slightly. But the 
          quality of this series is maintained in this 8th volume, and, again, 
          C.P.E. is given the performer he deserves to make this fine music better 
          known. 
        
 
        
        
Kirk McElhearn 
        
 
        
        
C.P.E. is given the performer he deserves to make this 
          fine music better known. … see Full Review