This DVD gives us an idea of how Abbado has altered 
          his approach to the conducting of Beethoven, Gone are the thick, heavy, 
          well upholstered sounds with slower tempi of a few years ago. These 
          have been replaced by a lighter, sparer sound. Abbado uses the new edition 
          of the Symphony by Jonathan del Mar. Do we notice the difference? An 
          emphatic yes! A slightly smaller orchestra, playing with lighter textures 
          and at a higher than expected speed, makes for a fascinating comparative 
          experience. Abbado still obtains commitment from his players. We still 
          get edge of the seat playing, with all desks showing a concentration 
          which is missing from many other orchestras. 
        
 
        
Mikhail Pletnev is a superb choice of soloist for the 
          Piano Concerto. No histrionics, no head shaking, no grimacing, no body 
          swaying, just honest to goodness superb playing and complete rapport 
          with the conductor and orchestra. One couldn’t wish for anything more. 
          This is a performance of the Concerto to which I will return (and already 
          have), for sheer pleasure. 
        
 
        
We then have the Symphony, again with lighter textures 
          than we are used to, with a superb quartet of soloists. In the case 
          of the soprano, the pleasure is visual as well as musical. 
        
 
        
Judging by the looks of concentration on the players’ 
          faces, lightened by the more than occasional smiles, this was a concert 
          that all seemed to enjoy immensely. The Berlin Philharmonic play superbly 
          for their permanent conductor and he directs performances which display 
          concentration and style. 
        
 
        
This concert is a coming home event, commemorating 
          ten years of Euro Concerts as well as being the first Euro Concert being 
          held in Berlin. For this event, it was possibly a forgone conclusion 
          that Beethoven would form the lion’s share of the concert and we are 
          not disappointed. The whole event is dedicated to the master. 
        
 
        
With all of these Euro Concert DVDs we are given a 
          documentary. This one concentrates on the changes which have been made 
          to the centre of Berlin, particularly since partition. The changes have 
          been substantial, and what has been achieved makes our efforts in the 
          U.K. laughable, when we consider the dithering and procrastination which 
          has been run up in the case of the various schemes which have been applied 
          to the South Bank. Everyone who has an interest in the Arts in the U.K. 
          ought to watch this DVD to marvel at the progress that has been made. 
          It is amazing what can be done when the powers that be are actually 
          interested in supporting the Arts. 
        
 
        
This DVD is directed by Bob Cole, and very satisfying 
          it is too. With a soundtrack in LPCM stereo and AC3 Digital 5.1 formats, 
          this issue can be played on most domestic machines, and much pleasure 
          it will give. This seems to be the visual version of the Ninth from 
          these artists’ recent DG Beethoven Symphonies intégrale. 
       
 
         
        John Phillips