Carey Beckenham’s 
          Other Blyton 
          by Cliff Watkins
         
         
         
        The launch of the Harry Potter film at Christmas led 
          to a media debate: was JK Rowling or Beckenham’s Enid Blyton the greatest 
          author of children’s stories. That argument overlooked another Blyton, 
          whose work has entertained and help educate children the world over, 
          the Beckenham composer, Carey Blyton.
        
        In 1932, a 19 year old Benjamin Britten completed his 
          choral work "A Boy was Born" coinciding with the birth of 
          Carey that year in The Drive, Beckenham to parents Floss and Hanly Blyton 
          (Enid’s brother). In October last year at Britten’s Snape Maltings, 
          the 70 year old Carey, shrugging off the tightening grip of post-polio 
          syndrome, made the short journey from his home in Woodbridge to the 
          Maltings to oversee the recording of his own choral music.
        
        Unlike Britten, who was composing by the age of 5, 
          Carey took to music at 16 when, still housebound 9 months after polio 
          had struck, a neighbour suggested he learn to play the piano. Carey’s 
          life changed direction. Instead of becoming Beckenham’s David Bellamy, 
          the previously ardent naturalist Carey forwent a university place in 
          Zoology and took temporary jobs while training himself to be accepted 
          by TCM, London.
        
        In 1950, the 19 year old Carey was developing his musical 
          career by forming the Beckenham Salon with local artists and musicians, 
          including Hugh Bean and with Sir Arthur Bliss as patron. The Salon anticipated 
          by 20 years the Arts Lab created by Beckenham’s other famous music maestro 
          David Bowie. (See last month’s Living South).
        
        Downtown Beckenham in the 1950’s resounded to the late 
          night sessions of playing jazz/blues and composing new music. Venues 
          for Salon concerts included the Public Hall and the Grammar School in 
          Beckenham Road. Last October while Carey was at Snape, the Grammar school 
          marked its anniversary in Beckenham at Langley Park when Carey’s music 
          was played throughout the day.
        
        There were plenty of recordings by the school band 
          of his music because, like his aunt’s stories, much of Carey’s work 
          was specially written to be enjoyed and moreover played by young people. 
          Thus, although Carey and his wife Mary moved to an affordable house 
          in Swanley in the 1960’s, the connection with Beckenham is sustained 
          by, for example, members of the Beckenham Junior Choir and school musicians 
          playing his work.
        
        Long before taking up music, children the world over 
          are entertained by the bijou masterpiece Bananas in Pyjamas (BIP) created 
          by Carey as a soporific for son Matthew on a long car journey. Mary 
          urged Carey to write down the music and lyrics which were published 
          by Faber in 1972 in a collection of nonsense songs and poems. Ten years 
          later, BIP videos were produced by Australian Broadcasting Corporation 
          (ABC). Since then, ABC have issued licences world-wide for over 1000 
          items of BIP merchandise: books, toys, toothpaste, toothbrushes, clothing 
          etc.
        
        But what of Enid Blyton who as 3 month baby had moved 
          to Beckenham in 1897? She (like her beloved father earlier) had walked 
          out on the family in 1920, leaving brother Hanly to care for their mother 
          Theresa. 
        
        In the 1940’s Enid Blyton was at the height of her 
          fame living in Beaconsfield, while brother Hanly battled in Beckenham. 
          He maintained his clothing business in the City despite being bombed 
          out of three premises; he was caring for Floss who was degenerating 
          year by year with rheumatoid arthritis, he was supporting his mother 
          now in rented rooms in Penge and surrendering to Alzheimer's disease 
          In 1944, the house in The Drive was made uninhabitable by a VI Rocket 
          and in 1947 the previously athletic and adventurous Carey was struck 
          down by polio. But Enid never visited.
        
        Enid’s apathy towards her relatives changed briefly 
          in 1965 when she contacted Carey, who was at the height of his musical 
          career and, with scholarships at TCM and Guildhall, was freelancing 
          as a composer of scores for documentary films and drama, including three 
          Dr Who serials, and working for Faber as Britten’s music editor. Enid 
          invited Carey to compose for her collection of songs, published under 
          the title Mixed Bag. Beckenham’s two famous Blytons met twice: in a 
          private box in the Stoll Theatre and for afternoon tea in Fortnum & 
          Mason’s.
        
        Carey’s fun and flair is manifest in the sleeve notes 
          of his latest CD "The Early Songs" (upbeat 
          classics URCD160 - review) 
          most of which were composed in Beckenham. Beckenham’s unknown although 
          well sung hero will be celebrated in an exhibition marking his 70th 
          birthday to be held in Beckenham Library from March 4th to 20th this 
          year.