Jiří Bĕlohlávek 
          is a conductor of impeccable pedigree in the Czech repertoire 
          and does not disappoint in this collection of tonal, highly listenable 
          contemporary works for guitar and orchestra. The soloist Lubomír 
          Brabec also plays as if every note counts and the whole enterprise is 
          a winner from start to finish. The atmosphere of the music is broadly 
          neo-classical (hardly surprising with some of the titles) but runs the 
          whole gamut from near pastiche through Tippett-style dissonances to 
          something much more expressionist in Bodorová's closing vocal 
          piece. 
        
 
        
Fišer's Leonardo and Tartini pieces take 
          the baroque as their inspiration but there is no doubting their contemporary 
          provenance, particularly in the (slightly) more abrasive elements of 
          the former. The composer regards the second section of the latter as 
          a "dialogue between himself and the great Italian composer" and it is 
          not difficult to accept this premise on the basis of the sublime music 
          contained therein, although later more astringent folk elements emerge. 
        
 
        
Sylvie Bodorová is the youngest of the three 
          living composers featured and her works perhaps reflect that. The earlier 
          Tre Canzoni meld quite unobtrusively with the pieces by the other 
          composers, even considering the occasional use of folk motifs, but the 
          vocal piece goes some way beyond the scope of the rest of the disc. 
          Its beginning is about as avant-garde as this CD gets although 
          it ends in a fairly conventional, if emotional manner (Gorecki and Tavener 
          spring to mind). 
        
 
        
Mácha's Christmas Concertino contains 
          some of the most immediately winning material presented here, with traditional 
          Czech carols to the fore but alongside inventive writing for the solo 
          instrument (the central Andante could almost be Finzi!). As always, 
          when assessing music for guitar and orchestra, the comparators tend 
          to be the ubiquitous Rodrigo and perhaps Leo Brouwer, and it has to 
          be said that the music on this disc, although perhaps a little more 
          conventional, is not overawed by this comparison. 
        
 
        
Overall then, this is a disc that any guitar aficionado 
          would be happy to have in their collection and one that would appeal 
          to a wider audience too. Recommended! 
          Neil Horner