Sergei RACHMANINOV
	
	Symphonic Dances
	Igor STRAVINSKY 
	Rite of
	Spring
	 London SO/Eugene Goossens
 London SO/Eugene Goossens
	rec Walthamstow, London, Nov 1958 (Rite); Feb 1960
	(Dances)
	 EVEREST EVC 9002
	[69.47]
 EVEREST EVC 9002
	[69.47]
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	As a demonstration of the Omega Record Group's skill at remastering the superb
	half inch three track originals into 20 bit SBM this evinces the highest
	standards. Hiss is defeated and hitting power is preserved. The massed strings
	communicate well allowing for some shrillness under pressure. Dynamic range
	is wide as is demonstrated from the very start of track 1. The weakness lies
	in laid back and overly suave interpretations. Goossens conducting the Symphonic
	Dances in February 1960 was already very ill. He was to die barely four months
	later. Where the performance should be taut, hunted and haunted this is in
	cruise control. Now if you compare Kondrashin, Ashkenazy or even Previn or
	Ormandy you will capture more of the nightmare and romance of this work which
	is amongst the very finest penned by Rachmaninov. Goossens (ever the colourist)
	brings out the voice of Rimsky-Korsakov rather than the verismo ice and lightning
	of the mature Rachmaninov.
	
	Goossens was famed for his Rite of Spring. He had a real taste for balletic
	music and in the early 1920s his eponymous orchestra made a renewed impact
	with the Rite in concert at the Queen's Hall. Here he is almost forty years
	later relishing every sour and scabrous note captured in a massive acoustic
	that etiolates some of the impact unless you play at high volume. He is however
	much more 'at the heels' of this music (11.40 and 16.00 track 1 where the
	'young' Goossens is at the helm with imagination on fire) than he is in the
	case of the Rachmaninov. There is some adept playing from the woodwind but
	this still not quite the 'full article' and the lack of unanimity in The
	Adoration at 8.20 is one example. Natural sound silkily communicated but
	not a high recommendation in the face of any of Haitink's versions, to take
	one example.
	
	Rob Barnett
	
	