Gottfried August HOMILIUS (1714-1785)
	St. Matthew Passion
	
 Ann Monoyios (soprano)
	Ulla Groenewold (contralto)
	Gerd Tark (Tenor)
	Klaus Mertens (Bass)
	Hans-Georg Wimmer (Bass)
	Christoph Prégardien (Tenor)
	Cappella vocale Leverkusen/Christoph Schoener
	Akadamie für Alte Musik Berlin/Bernhard Forck
	rec: January 1992.
	
 BERLIN CLASSICS BC 1046-2
	[131.04] 
	
	
	
	
	
	Gottfried August Homilius, now considered the greatest cantor of Dresden's
	Kreuzchor, was, for a while a student of Johann Sebastian Bach. A composer
	of music for the church, and a great organist, he was described, in 1790,
	as 'one of the greatest and worthiest organists alive.'
	
	While Homilius's name is found on only one score for this passion, stylistic
	criteria make it almost certain that he wrote this music. This St. Matthew
	Passion closely resembles Bach's passions - it contains choral movements,
	recitatives and arias with orchestral accompaniment, and tells the story
	of the Passion in the same way as was done in churches all over Germany in
	the 18th century. However, Homilius uses many more short sections with recitative
	(a total of 89 pieces altogether - most less than one minute long), but his
	arias are generally much longer than those in Bach's passions and cantatas.
	
	This is an extraordinary recording - the music is beautiful, the soloists
	and choir are excellent, and Christoph Prégardien is one of the best
	evangelists for this type of work currently performing. Soprano Ann Monoyios
	stands out in one of the high points of the work, the aria Gott, wie Wasser
	ausgeschettet, more than 11 minutes long, which is full of such emotion
	and beauty that I could listen to for hours.
	
	Rarely have I felt so strongly about a work I have heard for the first time.
	Part of my emotion comes, perhaps, from the similarity to Bach's work - one
	might even be tempted to think that Bach was involved in its composition,
	even though there is no evidence to suggest this. But the beauty of some
	of the arias, and the similarity in overall style, make it fit in perfectly
	with Bach's large vocal works.
	
	The extraordinary performances by all the soloists and the excellent recording
	and performance by the Akadamie für Alte Musik Berlin all make this
	a must-have recording.
	
	Kirk McElhearn 
	
	 
	
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