PETER TCHAIKOVSKY (1840-1893)
	  Complete Songs, Volume Two. Children's Songs, Op. 54.
	  Six Romances, Op. 73.
	  
	   Lyuba Kazarnovskaya (soprano);
	  Ljuba Orfenova (piano).
 Lyuba Kazarnovskaya (soprano);
	  Ljuba Orfenova (piano).
	   Naxos 8.554358 [DDD]
	  [64'09].
 Naxos 8.554358 [DDD]
	  [64'09].
	  
	  
	   
	  
	  Volume One of this series provided a bitty selection of songs - three
	  unpublished, followed by extracts from Opp. 6, 25, 27, 28, 47 and 60 (Naxos
	  8.554357). Perhaps more sensibly, Volume Two presents two complete sets.
	  As before, transliterated texts and translations are usefully included.
	  Tchaikovsky's songs deserve more credit than they sometimes get, and this
	  series is most definitely a step in the right direction. The sixteen Children's
	  Songs, Op. 84 date from 1881 and are mainly to texts by Alexey Pleshcheyev.
	  None of this set attempts to plumb the despairing depths, and in general
	  Kazarnovskaya's responses are aptly light, Orfenova's accompaniments
	  appropriately tripping and engaging. Occasionally the singer over-eggs her
	  pudding - both the third song, 'Spring', and the fifth, 'A Legend', are far
	  too hevy and vibrato-laden, for instance, but if you wish to sample the
	  highlights, try the well-characterised 'The Cuckoo' (track 8) or the enganing
	  intimacy of No. 14, 'Autumn'.
	  
	  The Romances, Op. 73, on the other hand, bring out the best from Kazarnovskaya.
	  Tchaikovsky wrote this set in 1893, over a decade later than the Children's
	  Songs. From the very first phrase in 'We sat together', there is a pathetic
	  intimacy that remains in the mind. This is followed by the compulsively intense
	  desolation of the second song, 'Night', and Kazarnovskaya effectively shades
	  the fourth, 'One Gloomy Day' (not 'On Gloomy Day', as the back CD cover
	  proclaims!). The pianist, Lyuba Orfenova, seems similarly inspired and plays
	  excellently, evoking real depth of tone when required. The fifth and final
	  song, 'Once more, as before, I am alone', is truly touching. Well worth acquiring
	  for the Op. 73 set, then, even if this only makes up the final sixteen minutes
	  of the disc. Throughout I would have welcomed more body to the recorded sound.
	  
	  Reviewer
	  
	  Colin Clarke
	  
	  Performance 
	  
	   
	  
	  Recording 
	  
	  