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DVD Opera Review
Giacomo PUCCINI

La Bohème
Mimi…………………………………………Mirella Freni
Rodolfo………………………………………Luciano Pavarotti
Musetta…… ……………………..………… Sandra Pacetti
Marcello…………………………....……… .Gino Quilico
Colline……………………………………….Nicolai Ghiaurov
chaunard………………………….....……… Stephen Dickson
Chorus and Orchestra of the San Francisco Opera
conducted by Tiziano Severini
Recorded at the San Francisco Opera in 1988.
ARTHAUS 1000 046 [116 mins]  with subtitles in languages: D, GB, F, I Sp,NL, S

It is suggested that this review is read in conjunction with that of the 1973 DECCA (421 049-2) recording of La Bohème, with Freni and Pavarotti, which I rated highly. That review is part of a large file that covers the background of Puccini's opera and embraces reviews of four more rival versions.

Although this recording was made some 15 years later, Freni and Pavarotti were still in fine voice. (I remember, with great pleasure, seeing them in the Covent Garden production of the early 1980s). The supporting cast is different of course. Immediately, I missed the ravishing singing of Elizabeth Harwood. Her coquettish yet very sympathetic Musetta was a highlight of that Decca set. Making up for it is the splendidly oaken tones of Nicolai Ghiarov as Colline who gets a warm ovation for his Act IV aria in which he is prepared to sacrifice his overcoat to provide warmth for the sinking Mimi. Stephen Dickson makes an amiable and carefree Schaunard, the musician. Gino Quilico also shines as a sympathetic if hot-headed Marcello. Sandra Pacetti as Musetta is rather OTT in Act II (with a wig that makes her look like a standard lamp) but she is more restrained and consequently warmer and more sympathetic in Acts III and IV.

For the purpose of this review I will concentrate more on the production. Thankfully it is set in the proper period (Paris, 1830) with the right costumes. The sets are lavish (very similar to the Covent Garden production) especially for the Café Momus setting that is Act II. Here, the crowd scenes are very well managed. The chorus throughout is lusty and colourful. I have made the point elsewhere that Puccini wanted the meeting of Mimi and Rodolfo in Act I to be spontaneous. A draft should blow out the candle. Here Pavarotti blows out the candle himself; his seduction is too calculated. Act III's set at the toll gate in winter is another plus, with the crowd scenes giving a sense of the poverty and hopelessness of the period. The artists' garret is if anything a tad too tidy and spacious, a cleverer set would have given a sense of clutter and smallness.

In short, a splendid production which in this DVD format is a feast for the ear and the eye.

Reviewer

Ian Lace


Reviewer

Ian Lace


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