LOVE SONGS
	  Antonín DVORÁK (1841 -
	  1904) 
	  Písne milostné (Love Songs) Op. 83 [14.36]
	  Ctvero písní (Four Songs) Op.2 [ 8.47]
	  V národním tónu. (In Folk Tone) Op. 73 [
	  3.38]
	  Bohuslav MARTINU (1890 - 1959)
	  Nový Spalícek (New Miniatures) [ 9.24]
	  Mélodies pour une amie de mon pays * [ 4.24]
	  (World Première recording)*
	  Leo JANÁCEK (1854 - 1928)
	  Moravská lidová poesie v písních (Moravian Folk
	  Poetry in Somgs). [ 8.29]
	   Magdalena Kozená
	  (mezzo-soprano) Graham Johnson (piano)
 Magdalena Kozená
	  (mezzo-soprano) Graham Johnson (piano)
	   Recorded London. Rosslyn Hill
	  Chapel 10 / 1998 DDD DG 463 472-2 [67.30]
 Recorded London. Rosslyn Hill
	  Chapel 10 / 1998 DDD DG 463 472-2 [67.30]
	  
	  Crotchet
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	  Magdalena Kozená is a Czech-born mezzo-soprano (Brno, 1973) and if
	  her photograph does not flatter she is a strikingly attractive blonde. She
	  has sung at the Vienna Volksoper and at Drottingholm and has made a number
	  of recordings - for Suprapaphon, ASV and Archiv that have had some low-key
	  but favourable reviews. This is her first solo recital recording and it is
	  for Archiv's parent company Deutsche Grammophon. Her partner on the CD is
	  Graham Johnson, well known to most record buyers, and her accompanist regularly
	  since 1998.
	  
	  Naturally enough she has chosen a collection of songs by Czech composers
	  for her solo debut, and, equally understandably, everything is sung in Czech.
	  As DG have provided the full text in English, German and French no listener
	  is likely to struggle to understand. 42 songs are on the disc and inevitably
	  most of them are short - they range from a mere 27" to 3'38" - and they are
	  grouped with the preponderant Dvorak selection framing the Martinu and Janacek
	  songs.
	  
	  Kozena's voice is easy on the ear. It is rich and well defined, fresh, youthful,
	  and even throughout her range and with a bright top. She really does sing
	  beautifully, every word utterly distinct and though there is little call
	  for characterisation on this disc - one has the feel that when needed the
	  skill would be there. Graham Johnson is his usual self - I don't need to
	  say more really, other than to praise his share of the partnership. That's
	  what it is, not the rather patronising description (it seems to me) - singer
	  and accompanist.
	  
	  I enjoyed the record a lot even though at times the selection did not retain
	  the interest. The selection of the material is perhaps the weak point of
	  this otherwise highly enjoyable recording. The recital format needs to engage
	  the listener throughout and some mundane songs failed to do this. The Janacek
	  selection and the Martinu groups were the pick of the items but somehow parts
	  of the Dvorak selection as a whole were uninspiring - which I put down to
	  choice rather than a failing in performance. In recording terms the DG engineers
	  have everything just about right on the disc.
	  
	  Miss K. clearly has a good future ahead of her and I would like to hear her
	  in more familiar material. We will undoubtedly hear more of her.
	  
	  Reviewer.
	  
	  Harry Downey
	  
	  