HAMILTON HARTY (1879-1941)
	  CD1 CHAN7032 71.00
	  Violin Concerto (1908)
	  Piano Concerto (1922)
	  CD 2 CHAN7033 76.36
	  The Children of Lir (1938)
	  Variations on a Dublin Air (1912)
	  The London Air (1924)
	  Ode to a Nightingale (1907)
	  CD3 CHAN7034 78.01
	  A Comedy Overture (1906)
	  An Irish Symphony (1904)
	  In Ireland (1904)
	  With the Wild Geese
	  (1902)
	  
 Ulster Orchestra/Bryden
	  Thomson
	  Violin Concerto, Variations and Air (ADD) all other items DDD rec
	  Ulster 1979, 1981-83
	  
	  
 CHANDOS 7035(3) 3 disc
	  set (also available
	  separately)
	   Amazon
	  UK   £25.99  
	  Amazon
	  USA  $37.97
	  
	  
	    
	  
	  
	  Music by conductor-composers often has a thin time of it. Furtwängler,
	  Klemperer, Kletzki, Rankl - all wrote music (symphonies even). Furtwängler
	  has had his symphonies and symphonic concerto recorded as much as anything
	  else because of his high cult standing as a conductor. The others have had
	  the odd disc (not Rankl, sadly) but nothing much.
	  
	  Of Brits I immediately think of Eugene Goossens and Hamilton Harty. Goossens
	  wrote some fine music (see reviews of ABC CDs elsewhere on this site!) but
	  is usually (and inaccurately) written off as derivative and impersonal. Harty
	  has suffered a similar fate but Chandos have done him proud from the centenary
	  year onwards. The only really notable absentee from their catalogue is The
	  Mystic Trumpeter (yes, another Whitman text, also set by Holst). Once in
	  their catalogue (and all initially issued in LP format) Chandos have kept
	  them there.
	  
	  The recordings reissued and generously recoupled (they were previously on
	  four full price CDs: CHAN 8321, 8386, 8314, 8387) here in boxed format are
	  of sovereign quality.
	  
	  To this day the recording of the Nightingale Ode stands as an object lesson
	  in digital magnificence losing not a whit to its original LP format sound
	  (I know - I have the gatefold LP as well). The Ode displays Harty's mastery
	  to full advantage - the pinnacle of his early achievement. It was written
	  for his wife, soprano, Agnes Nicholls and is a magnificently romantic and
	  poetic piece boldly setting one of the finest poems in the British language.
	  The Lir piece is much the latest here and is impressive in a Sibelian way
	  deploying Heather Harper's de luxe voice and peerless intelligence as a part
	  of the orchestral canvas: think Atterburg and Bax.
	  
	  With the Wild Geese is a truly moving Tchaikovskian piece still well
	  known because of the HMV collection (SNO/Gibson) which has been around since
	  the late 1960s and continues on Classics for Pleasure. The Gibson and Thomson
	  are on a par musically speaking but the Chandos sound is to be preferred.
	  The sentimental rising of the geese in flight towards eternity at the close
	  is a beautiful conception and is affectingly handled by Thomson .
	  
	  The piano concerto was recorded privately on an extremely obscure LP in a
	  version for orchestra conducted by Myers Foggin otherwise there is no
	  competition. It is a bold and confident piece much in debt to Rachmaninov
	  and Bortkiewicz - none the worse for that. The themes are good. The Haydn
	  Wood concerto on Hyperion is a parallel of sorts. The symphony is lighter
	  - more a suite than anything else - but its movements are well constructed
	  and whistleable light music. The movement called A Fair Day has been recorded
	  separately several times. The overture is well done and in style with the
	  brilliance of the piano concerto.
	  
	  The violin concerto was written for Szigeti. Fresh and spry, it is not especially
	  original but well worth a look and listen for anyone who likes their Tchaikovsky
	  or Bruch. The Variations and the Air make worthwhile sentimental travelling
	  mates for the concerto. In Ireland is delightful in the Celtic manner and
	  delicate mode. The Symphony and In Ireland will be released by Naxos at budget
	  price before the year's end.
	  
	  Many of Harty's pieces relate to Irish subjects but the music is rather in
	  a super-romantic Tchaikovskian track than in noticeably Irish or Celtic strain.
	  He is economical of expression and is not given to wallowing or meandering.
	  Harty may have been of the same generation as Bax and Moeran but the music
	  is in neither of their idioms: seeming older-fashioned by comparison - not
	  that this is a criticism.
	  
	  At midprice this set is irresistible. Shop around and you may well be able
	  to do even better. 
	  
	  Rob Barnett