I first encountered the Gloriæ Dei Cantores 
                some years ago when I bought a couple of their anthologies of 
                American choral music, Music of the Americas, 1492-1992 (GDCD 
                010) and Be Glad Then America (GDCD 008). There are items from 
                both collections in this collection.
              This disc is one of the better types of sampler 
                in that it presents a useful taster of the very enterprising repertoire 
                of this choir but, at the same time, it’s a satisfying programme 
                in its own right. Not surprisingly, several of the pieces are 
                American but the range of the choir is well illustrated by the 
                inclusion of music from five different European countries. Chauvinistically 
                I’m delighted to find an American choir doing music by an 
                Englishman (Rubbra) and a Welsh composer (Mathias) and doing it 
                so well. How many comparable British choirs would be so proficient 
                in American music?
              The disc opens arrestingly with a celebratory 
                anthem by the American composer Dominic Argento. I’d heard 
                this piece before as it’s on the Music of the Americas CD. 
                However, much of the music by other American composers was new 
                to me. Bruce Neswick’s largely extrovert, exuberant I Will 
                Set His Dominion in the Sea is most enjoyable (there’s a 
                more reflective central section). It features an exciting organ 
                accompaniment, which is well done here.
              The choir brings a full, rich sound to the German 
                items. The rich romanticism of Rheinberger’s Mass seems 
                well suited to them. They also do the Bach-indebted motet by Brahms 
                very successfully but here there’s an appropriate lightness 
                of touch.
              The performance of the Rachmaninov item (the 
                sixth section of his All Night Vigil) is hushed and intense for 
                the most part but rises to a fervent climax. The other Russian 
                piece, by Sviridov, is also very successful. The choir and the 
                admirable soprano soloist catch the mood of keening sorrow that 
                distinguishes this haunting piece very well. Incidentally, I have 
                had reservations about some previous releases from this source 
                on the grounds that not all the soloists have been quite up to 
                the mark. There aren’t many solo contributions in this anthology 
                but those that there are all done to a very good standard. 
              As I hope I’ve made clear, as well as a 
                wide and interesting selection of music there is some fine choral 
                singing to enjoy here. The choral tone is firm and clear, whether 
                the singers are flat out or singing quietly (both of which they 
                do to very good effect). Diction, balance and tuning are all excellent. 
                The sound quality is consistently good although the recordings 
                were made over quite a period of time and in a variety of venues. 
                All texts are provided, together with English translations where 
                appropriate. The booklet contains a good number of photographs 
                of the choir. The notes include several personal reflections on 
                individual pieces by members of the choir.
              I admire Gloriæ Dei Cantores for their 
                committed musicianship but also (indeed, perhaps more so) for 
                their enterprising repertoire. This CD is an excellent introduction 
                to their discography. It is extremely enjoyable in its own right 
                but I hope it will serve its purpose by prompting purchasers to 
                investigate other recordings by this fine choir. 
              Recommended.
              John Quinn