ENGLAND - NEW ENGLAND
	Romantic Clarinet Sonatas
	Donald Francis TOVEY (1875-1940) Clarinet Sonata
	(1906)
	Daniel Gregory MASON (1873-1953) Clarinet Sonata
	(1912-15)
	York BOWEN (1884-1959) Clarinet Sonata
	(1943)
	 John Denman (clarinet) Paula
	Fan (piano)
 John Denman (clarinet) Paula
	Fan (piano)
	rec, St Silas Church, Kentish Town, London 18-19 July 1986.
	Recordings previously issued on cassette as ENS 142 and ENS 144.
	 BRITISH MUSIC LABEL BML 002 [69.21]
	BRITISH MUSIC LABEL BML 002 [69.21]
	
	
	 
	
	
	This disc partners BML 009 (Splendid British Clarinet Works) also reviewed
	here. It also forms a Transatlantic 'bridge' linking to two discs on Mike
	Skeet's Ensemble label: EML004 and EML 008. These two Ensemble discs present
	Denman (who departed the British scene for a career at Arizona University
	- seems to be a tendency with clarinettists - Reginald Kell emigrated to
	the States in the 1940s ) and Fan playing, on the one hand, the two Brahms
	sonatas and the Schumann Fantasiestücke and, on the other, the
	sonatas by Hindemith, Bernstein, Muczynski and Castelnuovo-Tedesco. The link
	is established by the presence on this CD of the clarinet sonata by the American
	Daniel Gregory Mason.
	
	Mason as educator, writer and composer was a staunch right-wing disciple
	of Brahms. Taught by Paine at Harvard, he spent time on at least one walking
	tour (1895) in Europe as was the wont of sophisticated Americans. A year
	out in Paris studying with d'Indy gave a decidedly French flavour to his
	Symphony No. 1 (1914), which was premiered by Stokowski in 1916. The
	Clarinet Sonata on this disc was begun in 1912 but not completed
	until 1915. In 1920 it was one of the first works to be published by the
	Society for the Promotion of American Music. His Second Symphony (1929) was
	conducted by Reiner at Cincinnati and Walter in New York.
	
	Mason's Third Symphony A Lincoln Symphony was premiered under the
	baton of Barbirolli with the New York Phil in 1937. Lincoln seems,
	understandably, to have been a prevalent theme when you consider the long
	list of works bearing his name. Robert Russell Bennett's Lincoln - A Likeness
	in Symphony Form (1929) is his Second Symphony which was premiered by
	Stokowski and is recorded on Naxos American Classics (8.559004). Other
	Lincoln-inspired works include pieces by Copland, Morton Gould, Charles
	Ives, Roy Harris, Walter Damrosch, Vincent Persichetti and Mason's
	teacher, John Knowles Paine.
	
	Tovey too was much taken with the music of Brahms and his smoothly
	liquid Clarinet Sonata proclaims as much if nowhere near as frankly
	indebted as the sonata by Stanford. The Allegretto is a perfect example
	of the genre rising from relaxed reflection to a majestic statement at 7.10
	and, breaking the accustomed mould, Tovey next pitches at us a quick tempo
	exciting Allegro Con Spirito bounding forward in ripe-toned waves
	of sound. This is followed by a successful; rondo finale. The slow-fast-slow
	pattern echoes the violin concertos of Delius and Moeran.
	
	York Bowen's Flute Sonata -a most approachable piece confounding
	expectations about lightweight works for the flute - is on another BML disc.
	The Clarinet Sonata from 1943 was written for Pauline Juler (who was
	also the dedicatee of the Finzi Five Bagatelles). A late-ish work
	which has about it an air of summation came within a couple of years of Bowen's
	wartime masterpiece: the Twenty Four Preludes in all the Major and Minor
	Keys recorded as a complete sequence of Marie-Catherine Girod on Opès
	3D. It is unusual in comprising three allegro movements in sequence - OK
	the middle one is an Allegretto but still pretty unusual. The sonata
	was written within six years of his 1937 Fourth Piano Concerto - a work with
	pronounced leanings towards Rachmaninov's grandiloquence. It is no surprise
	that the piano part, very stylishly handled by Paula Fan, Denman's wife,
	carried that same euphorically lugubrious impress.
	
	We hear too little of Denman whose ripe lyricism and flowing cantabile
	line first asserted itself for most listeners in the Lyrita recording of
	the Finzi Clarinet Concerto. Mike Skeet's label provides a major cache treasury
	of recordings of Denman's artistry. It seems that there are also tapes of
	Denman playing the four Spohr Concertos with the RPO but these, as far as
	I know, are not currently available in any commercial medium. John Denman's
	Spohrs were on another UK label and he is now issuing them himself. He and
	Paula Fan are at Arizona University.
	
	From the point of view of clarinet-inclined Anglophiles Denman and Fan's
	BML 009 is a better bet. However for those who would like to counterbalance
	Bowen's high romance with two fruitily Brahmsian sonatas this disc is an
	excellent choice and, for this coupling, BML 002 happens to be the only game
	in town.
	
	
	Rob Barnett
	
	
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