Ludwig van BEETHOVEN
	  (1770-1827)
	  Violin Sonata in A, Op. 47,
	  'Kreutzer'.
	  Witold LUTOSLAWSKI (1913-1994)
	  Partita for Violin and
	  Piano.
	   Alban Beikircher (violin);
	  Mathias Huth (piano).
 Alban Beikircher (violin);
	  Mathias Huth (piano).
	   Arte Nova 74321
	  67523-2 [DDD]
	  [56'27]
  Arte Nova 74321
	  67523-2 [DDD]
	  [56'27]
	  Crotchet
	   Bargain Price
	  
	  
	   
	  
	  
	  Eye-catching programming from two young artists at super-budget price seems
	  at first glance to be too good to be true. Coupling one of the best loved
	  of all violin sonatas with a Lutoslawski filler is bound to raise some eyebrows,
	  and certainly whets the appetite.
	  
	  Unfortunately, the promise is far from realised. The dry recording only serves
	  to emphasise Beikircher's abrasive tone quality. The opening violin chords
	  of the Beethoven, often problematic, are here just uncomfortable. Throughout
	  the performance the duo is best suited to the more lyrical passages, which
	  only serves to put into relief the literal way they stomp through anything
	  remotely dynamic. Accents are mostly harsh and unsubtle and any wit in this
	  sonata is completely missed. There are too many other recommendable versions
	  for this amateurish account to be considered seriously.
	  
	  Whilst Beikircher find some lyricism in the Lutoslawski's Partita,
	  he completely misses the intensity of the Largo (the most substantial movement).
	  Go to Mutter's account of the version with orchestra on DG 423 696-2 (coupled
	  with Chain 2 and a simply stunning version of the Stravinsky Violin Concerto)
	  for a real musical experience.
	  
	  Disappointing in the extreme.
	  
	  Colin Clarke
	  
	  Performance
	   
	  
	  Recording 