The original Hammer Film Collection release (GDICD002) brought such diverse
	  delights as Franz Reizenstein's theme from "The Mummy", Malcolm Williamson's
	  opening music from "Brides of Dracula" and Carlo Martelli's theme to "Curse
	  of the Mummy's Tomb". The collection assembled on Volume 2 is in many ways
	  even more attractive, including as it does John McCabe's evocative and
	  beautifully scored theme "Echoes of the past" from the 1972 film "Fear in
	  the Night". In the informative and copiously illustrated sleeve notes, John
	  McCabe remembers that Hammer's music supervisor, Phil Martell was "a tower
	  of strength and an inexhaustible supply of experience and advice". This is
	  certainly borne out by the music itself - listen to the track without knowing
	  who wrote it and you would swear it was by Hammer house composer James Bernard
	  from the frantic, driving rhythms and the side drum and piccolo scoring which
	  conclude the piece.
	  
	  Malcolm Williamson provides a lush, Romantic score for the 1969 film "Crescendo"
	  (at 4' 30" the most extended track on the CD) whilst Benjamin Frankel's classic
	  ground-breaking twelve-tone score for "The Curse of the Werewolf" (1961)
	  and Humphrey Searle's sombre, incantatory tolling theme for "The Abominable
	  Snowman" make fascinating listening for British music lovers re-discovering
	  these composers' substantial symphonic achievements on the CPO label.
	  
	  Richard Rodney Bennett's evocative theme from the 1966 release "The Witches"
	  provides another example of this composer's mastery of orchestration. Carlo
	  Martelli's theme from the 1968 prehistoric romp entitled "Slave Girls" is
	  much more subdued and delicately scored than the title of the film would
	  suggest with its haunting cor anglais theme. James Bernard provides the backbone
	  of the disc, as you might expect, with typically visceral music from such
	  classics as "The Hound of the Baskervilles", "Frankenstein Created Woman"
	  and "Plague of the Zombies".
	  
	  Fun for Hammer aficionados and lovers of strong, charismatic film music alike,
	  this CD's only weak point in an exciting and enjoyable release is the relatively
	  short measure (less than 49 minutes). The booklet is full of stills from
	  the original films and the CD itself is graced by a scene featuring the late
	  Oliver Reed in hirsute mode from "The Curse of the Werewolf". Recommended.
	  
	  Reviewer
	  
	   Paul Conway