BACH 
	  Cantatas BWV 102 &
	  151
	  PURCELL
	   Celebrate this Festival
	  
	  
 ECO/Britten with
	  soloists
	  
 Decca 466 819-2 79
	  mins
	  Crotchet
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	  These are 'period' performances of considerable historical interest, dating
	  from 1965 (by far the best one) 1967 & '68.
	  
	  Bach's Susser Trost cantata brought me up with a surprised shock.
	  The heavy vibrato of Heather Harper & Helen Watts, and too that of Richard
	  Adeney in what Philip Reed cites as his 'exceptionlly liquid flute-playing',
	  now sounds anachronistic. Having grown up listening to these musicians when
	  rather younger, I was surprised how dated it all feels now; others will surely
	  disagree.
	  
	  Peter Pears is however his very distinctive and stylish self and I enjoyed
	  John Shirley-Quirk (who, at about the same time, duetted with my small son
	  on Mackerras's Archiv recording of Purcell's Hail bright Cecilia DG
	  447 149-2AP, which held its place in the catalogue and regular broadcasts
	  until very recently). Shirley-Quirk is to be heard also in the Purcell Birthday
	  Ode for Queen Mary. I was at that 1967 performance, in which James Bowman
	  made his London debut, to inaugurate the Queen Elizabeth Hall, but now I
	  find Britten's rather heavy manner with the English Chamber Orchestra has
	  been completely eclipsed by the likes of Robert King and his King's Consort.
	  (I can bore people about the good old days with the best, and am much given
	  to nostalgia, but am not uncritically so!)
	  
	  Better is the 1965 Aldeburgh Festival performance of the Herr, deine
	  Augen cantata, superbly captured at Blythburgh Church, so I suppose,
	  by John Bower of the BBC Transcription Service (only a guess, but he generally
	  covered the Festival around then). It is graced by buoyant rhythms in Britten's
	  conducting and a real feel of dance (the essence of so much in Bach's church
	  cantatas) by Fischer-Dieskau, in his aria, preceded by a recitative which
	  conveys enormous authority. Janet Baker is eloquent and steady in her aria,
	  and beautifully supported by oboist Peter Graeme, a near-namesake whom I
	  used to know.
	  
	  But I do not feel able to recommend this CD as a whole to the general collector,
	  as opposed to the fresh and vivid Britten/Pears Winterreise,
	  [Decca Legends 466 382-2] reviewed at
	  the same time.
	  
	  Reviewer
	  
	  Peter Grahame Woolf