Johann Sebastian BACH
	  St. Matthew Passion arr. Mendelssohn
	  Wilfried Jochens (tenor), Peter Lika (bass), Angela Kazimierczuk (soprano),
	  Alison Browner (Alto) Markus Schaefer (tenor) and Franz-Joseph Selig,
	  (bass).
	  Chorus Musicus and Das Neue Orchester - Christoph Spering
	  OPUS111 OPS 2022-23 [132.25] recorded digitally in
	  1993
	  Crotchet
	   Amazon
	  UK 
	  Amazon
	  USA
	   (now mid-price)
	  
	   
	  
	   
	  
	  We now have the opportunity to purchase a recording of Mendelssohn's arrangement
	  of J. S. Bach's St. Matthew Passion. This OPUS111 recording is apparently
	  the first time this arrangement has been made available to the collector
	  and it is a strange experience listening to it.
	  
	  Mendelssohn actually did relatively little to the work itself apart from
	  deleting about a third of it, plus, by rephrasing certain parts particularly
	  the chorales and significantly shortening the Evangelist's texts, he made
	  it much more immediate and strengthened up the plot. To some, this shortening
	  may be something of a bonus as it allows us to hear the significant portions
	  of the work with a must reduced investment in listening time.
	  
	  Christoph Spering has made a very good attempt on this shortened masterpiece,
	  and has not only taken Mendelssohn's reworking, but has also used contemporaneous
	  numbers of players and singers. He has also used instruments similar to those
	  used at the first version in 1829, and its final re-working in 1841. It was
	  this work which started the renaissance in the appreciation of the choral
	  works of J. S. Bach, the 1829 performance being the first since the death
	  of the composer in 1750. To the specialist collector therefore, this issue
	  is of major importance as it gives the opportunity to hear the recreation
	  of a work which was instrumental in us re-discovering Bach's major choral
	  works.
	  
	  The soloists are extremely good, particularly the Evangelist of Peter Lika
	  who brings the story closer to our consciousness with admirable support from
	  the others. The chorus and orchestra are similarly expert, and the whole
	  is rounded off with a very lifelike recording quality.
	  
	  This 1993 re-issue, now released at mid-price should appeal to all collectors
	  who love the St. Matthew Passion. The issue has also very comprehensive notes
	  with multi-lingual translations, together with copious detail on the variations
	  between Bach's original creation, and Mendelssohn's modifications. In spite
	  of the extent of the detail in the documents, there is one serious omission
	  - the location of the recording - there is no information about the location
	  apart from an untitled photograph of the artists at work in a concert, to
	  judge from the dress. The only problem with the photograph is that there
	  is no choir, so it looks as though the photo was taken at another venue -
	  sloppy production work by OPUS111. On my copy, one of the discs was labelled
	  incorrectly - Matthew Passion by Khandoshkin!
	  
	  
	  Reviewer
	  
	  John Phillips
	  
	  