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              AND HEARD  CHILDREN'S OPERA  REVIEW
               
                          
                          
                          John Metcalf, 
                          
                          A Chair in Love: 
                          Soloists, Pentaèdre Wind Quintet, 
                          
                          Taliesin Theatre, Swansea 13.7.2008 (MS)
                          
                          Composer:John Metcalf
                          Libretto:  Larry Tremblay
                          
                          
                          Successful film-maker Truman believes he is the genius 
                          the critics say he is but decides he needs to 
                          experience love and will make that his new movie 
                          project. Nothing odd about that:  apart from the 
                          fact that the object of his amour is a chair.  
                          Did I mention the chair sings as does his faithful but 
                          understandably jealous mutt?
                          
                          
                          
                          Crafted by one of our leading Welsh composers John 
                          Metcalf with a sparkling, witty and engaging script by 
                          Quebec playwright Larry Tremblay, this show is from 
                          start to finish an absolute - and absolutely hilarious 
                          - delight. It is also poignant and very sad but you 
                          are left with a real feel good smile on your face 
                          after the 80 or so minutes.
                          
                          I saw the show on the opening night at the Taliesin 
                          Theatre in Swansea where the day before several 
                          hundred kids had seen it too and evidently loved it 
                          -so much so that at one point their laughter almost 
                          risked swamping the performance.
                          
                          Big proud smiles then at the Taliesin  for having 
                          been able to put together a second UK tour of this 
                          opera which was created as a co-production three years 
                          ago. This time round Cardiff also gets a chance to see 
                          what has been achieved in Swansea.
                          
                          
                          
                          Supported by an 
                          international collaboration between Wales and Quebec, 
                          this show works for kids because it is full of 
                          zaniness with the singing dog and chair and has plenty 
                          of other humour. But  it is also a clever show 
                          for adults, musically accomplished and accessible with 
                          a interesting theme.
                          
                          Directed by Keith Turnbull the show also breaks with 
                          convention by not having a conductor: rather it 
                          integrates the musicians from the wind quintet 
                          Pentaèdre into the action.
                          
                          The lovers are Truman, sung by a richly voiced 
                          baritone French Canadian Pierre-Étienne Bergeron and 
                          the Chair beautifully created by sparkling Welsh 
                          soprano Charlotte Ellett. The loyal Dog is magically 
                          sung and realised by New York-based bass Michael 
                          Douglas Jones and the Dogtor/Doctor is the cheeky and 
                          charismatic mezzo Mireille Lebel.
                          
                          Unlike some other rather heavy and soporific efforts 
                          aimed at young people by well-funded opera 
                          organisations this work is a blast for adults and 
                          children alike. You really will believe a dog can sing 
                          and a chair can sing and, well, fly. You would be 
                          barking mad to miss it. Woof, woof.
                          
                          Mike Smith
                          
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