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              SEEN 
              AND HEARD RECITAL REVIEW
               
              
              Langlais,Wesley, JS Bach and others :
              
              
              David Bednall (Organ) 
              
              St. Andrew’s Church , Wiveliscombe, Somerset: 26.7. 2008 (AB)
              
              
              David Bednall, composer and currently Sub Organist at Bristol 
              Cathedral,  came to the small Somerset town of Wiveliscombe to play this year’s well-planned 
              recital on the lovely (restored) organ in the large, light, airy 
              and beautiful church of St. Andrew’s.  He arrived an hour late, 
              due to the massive traffic jams on the motorway, but, unfazed, sat down 
              and played a simply superb recital.
              
              
              
              The recital opened with Incantation pour un jour Saint by 
              Jean Langlais – with its huge sound, drama and commanding opening 
              chords.   Played with lots of “colour” in the use of the organ’s 
              repertoire of pipes – this was a recital opener to get the full 
              attention of the audience – or of a church service congregation – 
              and was played with great panache. It was followed by 
              Wesley’s Air for Holsworthy Church Bells – a 
              complete contrast to the Langlais – being delicate and almost 
              deceptively pretty. This piece would be something a “village 
              organist” could tackle and enjoy playing and showed another aspect 
              of David Bednall’s interpretative skills.
              
              
              
              All of these came to the fore, combined with  monumental 
              technique, for the J S Bach Prelude and Fugue in B Minor BWV 
              544.  The audience were just able to sit back and enjoy 
              Bednall’s performance, which was rather like a powerful Cadillac  cruising along a 
              major musical freeway – with the organ’s resouces used to full 
              capacity  by the intellectual, technical  and musical 
              interpretative skills of the artist.Twelve minutes of “classic” 
              Bach,  superbly played.
              
              
              Another complete  style contrast 
              brought us  to Vierne’s Triptyque.   Over to 
              French organ music, bell-like – heralding Messaien and Debussy.  Swathes of tone colours swept through the church and the third 
              movement Stèle pour an enfant défunt really did express 
              agony and desolation. Two 
              works by English composers completed the recital's first half:  John 
              Ireland’s Alla Marcia and Villanella and Kenneth Leighton’s
              Rockingham. Englishness was the only similarity 
              between the two, but these 
              pieces further demonstrated Bednall’s virtuosity, flair and 
              brilliance in interpreting these dramatic and – yes – entertaining 
              pieces.    
              
              The organists' old chestnut 
              Howells' Paean launched the second half of the recital – 
              like some great liner steaming through the ocean – with much 
              verve and style because the Wiveliscombe organ could fill a 
              great cathedral with its big sound.  A complete change of mood  
              to Messiaen’s Prière du Christ montant vers son Père 
              with its impressionistic, more minimalist and very French 
              style.  Bednall certainly showed his virtuosity  in these two totally different works as he did again with 
              the next piece  Guilmant’s Marche Funèbre et Chant 
              Séraphique with its sombre mood. This had such massive 
              volume that  one felt the church floorboards vibrating under 
              one’s feet.  Another contast of style and volume followed, with 
              American composer 
              Gordon Balch Nevin’s Will ‘O’ The Wisp using 
              a light, delicate set of pipes before the recital ended with an 
              arrangement of Sibelius’ Finlandia, a grand and dramatic 
              ending to the concert.
              
              David Bednall, is a young (29 according to the programme notes) musical, talented and professional organist and a consummate 
              recitalist. He put together a programme with plenty of 
              variety – both in the range of composers and type of music – 
              played with both intelligence and excitement, making  full use of the Wiveliscombe 
              organ, which he described as a very good instrument.  It is a 
              shame perhaps,  that due to the recital falling on the first  school holiday weekend of the summer, the church was by no means 
              full.  The committee at St. Andrew’s, Wiveliscombe, 
              arrange  an 
              organ recital every summer and this one and the one last year 
              given by Philip Scriven, were both of the highest order. To be 
              able to hear recitals of this standard in a rural parish church  is 
              a marvellous experience. I urge more people to take 
              advantage of such rare opportunities.
              
              Angela Boyd 
            
            
            
            
              Angela Boyd is a freelance writer based in South West England.
            
            
              
                                                                                                    
                                    
              
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