One of the main characters in Robert Altman's multi-Oscar-nominated film is 
  Ivor Novello invited to entertain (not without considerable and consistent disapproval 
  from Maggie Smith's snooty dowager character) the idle rich gathered together 
  for a weekend's shooting and general debauchery at Gosford Park. Ivor 
  Novello's songs delivered with great Novello-like panache and laid-back style 
  by Jeremy Northam, himself, perfectly reflects the atmosphere of above-stairs 
  condescension and ennui – particularly Novell's droll and ironic 'What a Duke 
  Should Be' – "I'm doughty, I'm gouty, I'm wonderful to see…" 
  .
Around Novello's songs, plus two others scored by himself with pungent lyrics 
  by Altman himself ('Only for a While' for instance that points to the motive 
  for the murder), Doyle weaves a spare dramatic, characterful and atmospheric 
  score. "I chose the clarinet for the upstairs characters wherever possible," 
  he says in the booklet notes, " and the accordion, for example, for 
  those working downstairs." In 'Secrets to Hide' and 'Carpe Diem' there 
  is a little beyond repetitious yet effective ostinatos, the former for piano 
  and violin and the latter for violin and guitar. Two period-correct jazz-based 
  cues are incorporated: the breezy 'Walking to Shoot' and the smoochy music for 
  Inspector Thomson but the prevailing mood of Doyle's music is of melancholy 
  memories and regret, feminine and maternal. 
An entertaining combination of original music and Novello's urbane source songs
	  
	  
	  
        
Ian Lace    
        
        
