A wonderful, heart-felt score to this modernisation of Shakespeare’s ‘Othello’ 
  with composer Dana utilising a number of early musical instruments, notably 
  the Hurdy-Gurdy, the Vielle and the Viola Da Gamba.
Opening with Verdi’s ‘Ave Maria’ from ‘Otello’ performed by Renata Scotto, 
  this sets a pensive tone that is sustained by the original compositions that 
  follow. Most significantly, the second track, ‘Hawk’, is a tremendously emotive, 
  affecting piece that really grabs your attention. From here on, the score is 
  very much in this vein, moving from poetic beauty to ominous foreboding with 
  subtle ease. The aforementioned use of the Hurdy-Gurdy in particular gives several 
  tracks a distinctive, poignant feel, such as ‘The Scarf’ and ‘Sleep’ and there 
  are several supporting motifs like those heard in the brief but compelling ‘Confrontation’ 
  and the percussive ‘A Devilish Plan’ that add real dimension to the work.
For me, this is the kind of score that deserves acclaim and attention. Immediately, 
  based on the music alone, I want to see this film. Unless it is poorly served 
  in its mix or editing in the movie itself, you can guarantee there will be some 
  powerful and emotional sequences. And it’s tribute indeed to a composer when 
  his score has that kind of effect on the listener.
Passionate, lyrical, tragic and yet beautiful. Full of heart-break and portent. 
  Highly recommended.
	  
	  
	  
        
Mark Hockley        
        
        
