VISIBLE BASS LINE 
          A MAN, A WOMAN AND A DOUBLE BASS 
          Carmen - the opera - Georges Bizet 
          Busy Line - Murray Semos / Frank Stanton 
          Puttin' On The Ritz - Irving Berlin 
          Stop To Think! - Tango Song - Geoff Lindsey / 
          Julian Jacobson 
          Sonata in F - Jean Barrière 
          Hymn II - Alfred Schnittke 
          Angelus - Diana Burrell 
          Theme and Variations - Ignace Joseph Pleyel 
          My Baby Just Cares For Me - Donaldson / Kahn 
          These Boots Are Made For Walking - Lee Hazlewood 
          
          Orpheus In The Underworld, and other operas - 
          Jacques Offenbach 
           Lowri Blake, cello and 
          voice
 Lowri Blake, cello and 
          voice 
          Peter Buckoke, double bass 
          Rec: East Woodhay Church Hants Dec 2000 
           LOWRI RECORDS LOWRI 2004 
          [67.59]
 LOWRI RECORDS LOWRI 2004 
          [67.59] 
        
         
 
        Entitled VISIBLE BASS LINE , this is a welcome addition to Lowri Blake's own-label discography. The double act has Peter Buckoke, the excellent bass player of the equally excellent Schubert Ensemble of London, supporting Lowri Blake, virtuoso cellist who also sings as she plays. They are regularly to be heard in London and elsewhere. Lowri additionally strikes the 18 bells in the most challenging piece here, Angelus by Diana Burrell (1986), 'mysterious and nocturnal, yet alert' their liner notes tell us. 
Classics and favourite jazzy songs are purposely juxtaposed to strike sparks off each other and undermine category separations. Barriere is a specialty of Lowri's and his sonatas repay attention. Pleyel's variations challenge both instruments (it is the bass which has the high harmonics in No.6) and Offenbach and Bizet are both subjected to irreverent compression in Orpheus and Carmen (pace Mr Dyer http://musicweb.vavo.com/classrev/2001/Oct01/Dyertribes_Carmen.htm, but in my book neither is sacrosanct nor subject to a protection order). 
I'm not clear what we are meant to do with the spare second at the end, but in Faster - the acceleration of just about everything (Abacus), an obligatory read for the new millennium - we learn from James Gleick that seconds are no longer precise enough and we have to think in nano-seconds.
        
 
        
Recommended, and visit Lowri Blake's website www.lowrirecords.com 
          where, to get the idea, you can sample clips from Schnittke and 
          My Baby Just Cares For Me! 
          Peter Grahame Woolf