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London Editor:
(London UK)
Melanie
Eskenazi
Regional Editor:
(UK regions and Worldwide)
Bill
Kenny
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Kenny
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Seen
and Heard International Festival Preview
Edinburgh International Festival 2007: A
preview of
Jonathan Mills' first season as
Brian McMaster's successor (BK)
Announcing his first programme as
Director of the Edinburgh
International Festival, Jonathan
Mills said,
“Festivals are a gift; a special gift
from a city to itself, to its
citizens, to its visitors, to its
future, to its very soul. In planning
this, my first year’s programme, my
inspiration was Monteverdi’s
L’Orfeo - not just as a
celebration of its 400th anniversary,
but as an exploration of its legacy
still alive in the work of artists
today. I hope audiences will have a
fantastic time at the Festival. There
is a broad range of artists, styles
and work from the deeply serious to
the seriously fun which I hope will
appeal to everyone. I look forward to
welcoming both locals and visitors to
Edinburgh in August.”
The 2007 Edinburgh International
Festival runs from Friday 10 August
to Sunday 2 September across the
city in theatres, concert halls and
opera houses attracting audiences from
around the world to Scotland’s
picturesque capital.
Making their EIF debuts are: Jordi Savall,
Deborah Voigt, Natascha Petrinsky,
Compagnie Montalvo-Hervieu, Trisha
Brown Dance Company, Alan Cumming,
Barrie Kosky, Mabou Mines, Lee Breuer,
Chiara Banchini, Thomas Adčs, the
Simón Bolívar Youth Orchestra of
Venezuela and Gustavo Dudamel, Cantus
Cölln, Andreas Scholl, Anonymous 4 and
The Tiger Lillies.
The architecture of the Festival
remains familiar under Jonathan Mills
with theatre, opera, music and dance
in the city’s main venues, but also evolves
with the addition of some new strands
and an eclectic mix of repertoire. One
of the new strands is the inclusion of the
visual arts in the programme. In Jardins Publics, three
major artists have been commissioned
to explore the question of the public
garden (inspired by figures as diverse
as Voltaire, Patrick Geddes and Ian
Hamilton Finlay) and sited in three
locations across the city.
Dance
sees the Festival extending its
relationship with Scottish Ballet in a
co-commission from American
choreographer Stephen Petronio, the
Festival debuts of Olivier Award
winning Compagnie Montalvo-Hervieu
performing On Danse and the
Trisha Brown Dance Company with a
spread of 20 years' worth of her works over 20 years
including the UK premiere of Canto/Pianto.
Another UK dance premiere is William
Forsythe’s hilarious, end of the world
spectacular Impressing the Czar
performed by the Royal Ballet of
Flanders.
Theatre
brings The Bacchae from the
National Theatre of Scotland in the
world premiere of a new version by
David Greig, directed by John Tiffany
and starring Alan Cumming. Vienna Schauspielhaus’s Poppea directed
by Barrie Kosky and The Wooster
Group’s La Didone marry music
and theatre through the inspiration of
early opera. The UK premiere of the
acclaimed Mabou Mines
DollHouse directed by avant-garde
director Lee Breuer and American
Repertory Theatre’s successful modern
take on the Orpheus myth in Orpheus
X receive European premieres
and an international collaboration
between Theatre Cryptic and
Singapore’s T’ang Quartet,engages
Scottish based artists with
international partners.
Monteverdi’s ground breaking debate on
the importance of words versus music
serves as one of the inspirations
behind this year’s programme and a
traditional production of L’Orfeo
directed by Gilbert Deflo and
conducted by Jordi Savall marks the
400th anniversary of the first major
opera and opens the opera programme. The Festival and Cologne
Opera present the world premiere of a
new production of Richard Strauss’
Capriccio starring Gabriele
Fontana, conducted by Markus Stenz and
directed and designed by Christian von
Götz and Gabriele Jänicke.
Capriccio opens in Edinburgh
before transferring to Cologne. Three
evenings of opera in concert:
Orlando furioso, Oedipus Rex,
Dido and Aeneas and Prima la
musica, poi le parole complete the
opera programme with artists including Nicholas McGegan,
Jean-Christophe Spinosi, Jennifer
Larmore, Philippe Jaroussky, Jeffrey
Lloyd-Roberts, Natascha Petrinksy, and
Jane Irwin.
Music
brings major orchestras to Edinburgh including the San
Francisco Symphony, the Bavarian Radio Symphony
Orchestra, the Simón Bolívar Youth Orchestra of
Venezuela, Jordi Savall's own Hespčrion XXI and the Chamber Orchestra
of Europe. These groups perform alongside the Scottish Chamber
Orchestra, the BBC Scottish Symphony Orchestra and the
Royal Scottish National Orchestra. There is a
wide range of music from de Falla, Bernstein, Sibelius,
Stravinsky and Vivaldi, tthrough to the latest musings of
The Tiger Lillies on the topic of Monteverdi.
Artists include Michael Tilson Thomas, Toby
Spence, Chiara Banchini, Sir Roger Norrington,
Andreas Scholl, Sir Thomas Allen, Robert Spano,
Mariss Jansons, and Dames Gillian Weir and Evelyn
Glennie.
The Festival also presents a series of early
evening concerts at Greyfriars Kirk which follow the
development of music from the 11th century to the
17th century, including concerts covering all the
books of Monteverdi’s Madrigals. The artists
performing are the finest in the world in this
genre: Rinaldo Alessandrini and the Concerto
Italiano, Anonymous 4, La Venexiana, Phantasm,
Theatre of Voices, Ars Nova, Heulgas Ensemble, The
Tallis Scholars, Cantus Cölln and The Orlando
Consort.
The Bank of Scotland Queen’s Hall Series starts
every day with a chamber recital : artists include Jordi Savall, Kate Royal and Christine
Rice, the Tokyo String Quartet, Yuri Bashmet, Gidon
Kremer, Silvana Dussmann, Chiara Banchini,
Christine Brewer and John Williams among others.
‘Sharing the Festival’ begins this year with
Beowulf, an ancient Scandinavian tale
(sic) recreated by Benjamin Bagby travelling to venues
in Orkney and Grampian before opening in
Edinburgh.
The EIF, students from Napier University and
Richard Demarco also join up to celebrate the 60th
anniversary through installations in the theatres
and concert halls used through the Festival
period.
Jonathan Mills
added his thanks to the Festival's many public funders, sponsors, supporters, and ticket buyers
who together make it possible to stage this great
event. "They all play an invaluable role," he
said. "As a
relative newcomer from the other side of the world
I know how special the Edinburgh International
Festival is and in the past I have put on Festivals
inspired by the Edinburgh model. It is a huge
honour and thrill for me to announce my first
Festival. I hope everyone will embrace the 2007
Festival and set aside time in August to enjoy as
much of it as possible.”
Bill Kenny
Public booking opens Saturday 14 April 2007
Hub Tickets: +44 (0)131 473 2000
Online booking and information:
www.eif.co.uk
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Clarke, Paul Conway, Geoff Diggines, Sarah Dunlop, Evan Dickerson
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Editor)
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