Noveltyflickan [1.56] 
          Misty [5.07] 
          Filosofisk Dixieland [2.30] 
          All of me [2.34] 
          Stardust [4.46] 
          Splanky [2.39] 
          I’m in the mood for love [2.46] 
          Rattjakt for tva [3.20] 
          Angel Eyes [3.06] 
          "Geasapegen" [2.22] 
          Hello Dolly [1.37] 
          Con amore [3.25] 
          Novelty Accordeon [2.00] 
          Zigenarens serenad [4.08] 
          How high the Moon/Ornithology [1.57] 
          Revydags [1.54] 
          Botvid/Lite grand fran ovan [1.40] 
          Copacabana [1.33] 
          
        
 
        
Ladies Only Café Strings is a seven-piece ensemble 
          consisting of three violins, two violas, cello and double bass, all 
          the players coming from the ranks of the Swedish Chamber Orchestra, 
          and with a regular spots on Scandinavian TV for their music of a lighter 
          vein, called Caféprograms and Melodifestivalen. In a variety 
          of styles ranging from Jules Caty to Barry Manilow, Errol Garner to 
          Hoagy Carmichael, and with classical textures super-imposed on Tin Pan 
          Alley, Jazz and Bop, this is a programme of skilfully arranged music 
          to sit back and enjoy. One gets the impression of players released from 
          the environs of salon music in the Palm Court Hotel, and letting their 
          hair down in finger-clicking numbers, before returning to the suavely 
          sophisticated sounds of ‘I’m in the mood for love’ or the pseudo-Edwardian 
          waltz Con amore (this is lovingly played and by far the best 
          track). Occasional forays into the less usual treatment of the instruments 
          (such as pizzicato, col legno, harmonics) would vary the 
          sound more, but the quicker numbers are sure-fire winners such as Novelty 
          Accordeon, and some sparse orchestration of just top and bottom 
          (violin and bass) instruments effective; it’s good to hear a viola in 
          both uncharacteristic surroundings and uninhibited mood, while this 
          talented ensemble’s leader makes the most of her Gypsy Serenade 
          by giving her playing lashings of Scandinavian goulash. It takes fifteen 
          tracks before the bass player gets her solo spot in How high the 
          Moon, but the cellist fares better here and elsewhere. It’s only 
          the last track Copacabana where the group venture beyond the 
          string-only sound, the disc could have done with more of this in the 
          hunt for more variety. 
        
 
        
A translation of the seven Swedish titles among the 
          eighteen tracks would have been helpful, but as a friend kindly helped 
          me out, I am happy to pass them on as follows 
        
 
          Noveltyflickan The novelty girl 
          Filosofisk Dixieland Philosophic Dixieland 
          Råttjakt för två Rat chase for two 
          ‘Geåsapeågen’ Goose-boy 
          Zigenarens serenad Gypsy serenade 
          Revydags Cabaret time
          Botvid/Lite grand från ovan Botvid (a name)/A little bit from 
          above 
        
Christopher Fifield