1. Re Fa Si Enrique Delfino [02:18]
    2. Armenonville Juan ‘Pacho’ Maglio [02:42]
    3. El Portenito Angel Villoldo [01:23]
    4. El Choclo Angel Villoldo [01:48]
    5. Papas Calientes Eduardo Arolas [01:53]
    6. La Cumparsita Gerardo Matos Rodriguez [02:16]
    7. Flores Negras Francisco De Caro [02:32]
    8. El Torito Angel Villoldo [01:27]
    9. Nunca Tuvo Novio Agustin Bardi [01:53]
    10. Casita De Mis Viejos Juan Carlos Cobian [03:09]
    11. Silueta Portena Hermanos Cuccaro [01:48]
    12. Arrabal Jose Pascual [03:38]
    13. Tinta Roja Sebastian Piana [01:49]
    14. Milonga De Mis Amores Perdo Laurenz [01:47]
    15. Mi Regalo Orlando Goni [01:41]
    16. Percal Domingo Federico [02:19]
    17. Corralera Anselmo Aieta [01:58]
    18. El Andariego Alfredo Gobbi [02:36]
    19. Naturaleza Muerta Roberto Pansera [03:15]
    20. Tema Otonal Enrique Francini [03:15]
    21. Melancolico Julian Plaza [02:46]
    22. Sideral Emilio Balcarce [03:00]
    23. Nostalgico Julian Plaza [02:34]
    24. A Los Artistas Plasticos Osvaldo Pugliese [03:44]
    25. El Firulete Mariano Mores [02:45]
    TOTAL PLAYING TIME: [60:17]
    
            
    Argentine-American pianist and recording artist Mirian Conti has recently
    released her new solo album, Tangorama, performing a collection of
    25 vintage tangos, written over the span of half a century. Tango
    originated in Argentina and Uruguay in the late 1800’s as immigrants poured
    in from all parts of Europe. They brought their music with them: waltzes,
    polkas and mazurkas, which blended with Cuban habanera and African candombe
    music and rhythms to create early forms of tango music and dance. These
    early years, from about 1895 to 1925, are known as Guardia Vieja, 
    the Old Guard, when tango began to develop structure and identity. One of
    the early composers was Angel Villoldo (1861-1919), generally considered
    the father of the tango. Three of his tunes are included on this disc, all
in early tango 2/4 duple meter. In 1903 Angel composed the well-known    El Choclo, one of the best of the early tangos, which became a
    popular hit song again in 1952 as “Kiss of Fire”. Mirian performs these
    piano arrangements with a light, graceful touch and a delightful sense of
rhythm, timing and phrasing. Another early tango is the famous    La Cumparsita, the most popular tango ever written. It was
    composed in 1917 by Geraldo Matos Rodriguez (1897-1948), and originally
written for a marching band. The tune is driven by the bold    arrastre sound of slurring chords mixing with crisp staccatos.
    The tango period known as Guardia Nueva, or New Guard, lasted
    roughly from 1925 to 1955. This included the Golden Age of the 1940’s,
    which was the hey-day of the big tango orchestras. Generally coinciding
    with the explosion of the Big Band era, tango began developing and maturing
    in form and complexity. Alfredo Gobbi (1912-1965) was a violinist and
    composer who wrote El Andariego in 1951. The tune features a
    smoother 4/8 meter, slower tempo, heavy rubato, and delicate
staccato passages. From 1955 to 1970, tango went through an    Avant-Garde period of development and began moving in new
    directions. Julian Plaza (1928-2003) was an outstanding musician and
    composer who wrote Melancolico in 1960 and Nostalgico in
    1962. The tunes are intoxicating with dramatic tango rhythms, melodies and
    dissonant harmonic structures. Mirian presents them with beautiful dynamics
    and phrasing, meticulous keyboard technique and solid intuition.
    This music was recorded on 15-24 September 2020 on two Yamaha Disklaviers,
    one each at Conti Studio in Buenos Aires and at Yamaha Artists Service in
    New York. Mirian Conti and G. Richard Glasford were the producers, and
    Aaron David Ross was the engineer. Joseph Patrych performed the mastering.
    A 28-page booklet is included, with photographs and commentary in Spanish
    and English. The sound quality is excellent.
    Bruce McCollum