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New Orleans Jazz: Remembering Dave Evans

Own Label No Number Total playing time: 78m. 24s.

1. Just a Closer Walk with Thee (d)

2. Memories of You (b)

3. High Society (b)

4. Fish Seller (b)

5. Willie the Weeper (b)

6. Bula Bula (a)

7. Snake Rag (c)

8. South (c)

9. I’m Confessing That I Love You (a)

10. Original Dixieland One-Step (f)

11. Kinklets (e)

12. Wabash Blues (a)

13. The Gipsy* (f)

14. Royal Garden Blues (g)

John Keen – Trumpet, vocal* (all tracks)

Tony Pyke (a, d, e, g), Dick Cook (b), Wally Fawkes (c) – Clarinet

Pete Dyer (b, c, d, f, g), Bob Ward (e) – Trombone

Jon Mortimer (a) – Trombone, harmonica

John Barnes (f) – Alto sax

Doug Kennedy (a, b, d, g), John Coles (c0, Tim Wake (e) – Banjo, guitar

Terry Knight (a, b, d, e, g), Jim Bray (c), Gordon Davis (f) – Double bass

Dave Evans – Drums (all tracks)

Freddie Shaw – Cornet (g)

Recorded at the Princess Royal, Brentford, June 1991 (a); The Globe, Brentford, Mar. 5, 1993 (b); Venue [sic] Nov. 15, 1988 (c); the Princess Royal, Brentford, Mar./Apr. 1991 (d); The Globe, Brentford, May 30, 1994 (e); The Globe, Brentford, June 1992; The Globe, Brentford, Feb. 10, 1992.

Following the release about a year ago of the CD New Orleans Jazz: Remembering Doug Kennedy, a tribute to their late banjo/guitarist, the West London Rhythm Kings have now paid the same compliment to their late drummer, Dave Evans, with this CD New Orleans Jazz: Remembering Dave Evans. As in the previous CD, this one again evidences the band’s leaning toward the New Orleans style of largely polyphonic ensemble playing, and even where soloists do step forward, they are invariably accompanied by more than just the rhythm section. In particular, clarinet and trombone, regardless of who the players are, seem to trade solo leads, one taking the lead, the other in turn playing counterpoint, making for a very satisfying listening experience.

Keen’s trumpet playing is sure—no fluffs, notes hit dead enter. His vibrato is not a hugely pronounced, wide one but just enough, usually at the end of a phrase. He favors the mid range above the others. The clarinet chores are mainly divided between Pyke and Cook, but a welcome variation is Wally Fawkes of Flook fame taking two of the tunes on clarinet, and The Gipsy finds the reed being John Barnes on alto sax. (On the previous CD, the versatile Barnes played baritone on this same tune.)

The other players hold their own with no difficulty, and although this album is dedicated to Evans, a glance at his part shows that he does not dominate any of the tracks. We might expect the honoree to figure more prominently in many tracks, but drums are not the best of solo instruments (as even probably many drummers would agree). Evans takes two solos—on High Society and on the final track, Royal Garden Blues. He displays good technique and taste, but he largely eschews the pressed rolls (there and elsewhere) that are so integral to the New Orleans style of drumming, which seems a little at odds with the band’s leaning toward the New Orleans style. However, he does not try to overpower anyone, but keeps good time and with the occasional rim shot and judicious use of what sounds like the pang cymbal punctuates what the others are doing.

Perhaps due to the varying personnel, there seems to be some hesitation, some raggedness here and there, such as the bridge onMemories of You and the endings on I’m Confessing That I Love You and Wabash Blues, but these are not pronounced and go with the territory of live recording. This is not the case with the majority of tracks, of course, one of which, The Gipsy, ends with a very well-executed cadenza, which Barnes provides on alto sax.

Respecting the playlist, it has much variety to keep the listener involved. There are several ballads, a harmonica blues (Bula, Bula), a rendition of Sidney Bechet’s Marchand des Poisons ( Fish Seller) sans soprano sax, several traditional jazz standards, and a very nice version of the rag Kinklets, which for me is perhaps the highlight of the disc.

This is another very good CD which neatly complements the band’s previous tribute issue. (Only three tunes are to be found on both discs, and they invite comparisons.) One can contact John Keen at to obtain ordering information.

Bert Thompson

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