Something about this score seems so familiar as to be unworthy of Isham. 
  Solo piano is featured enough to warrant credit to player Richard Ruttenberg 
  on the packaging. For a lighthearted romantic slice of real life, that’s no 
  doubt exactly what director and producers felt would play best. Since it has 
  in countless other movies. 
As always, the music is engaging enough from Isham. But hearing him venturing 
  into the territories trod by so many before him is a darn shame. It opens with 
  "If I Could Kiss You", which has a pleasant bouncy melody 
  featuring harpsichord. Sadly, the synth backing puts it up with the kooky stylistic 
  flourishes of Thomas Newman’s The Player or American Beauty. Following 
  that, the sense of déjà vu never ends.
	  
	  
	  
        
Paul Tonks