The odd thing about this album is that the front cover of the booklet mentions
only Simon Walker's music for The Wild Duck. This is a pity because
Brian May's Frog Dreaming score is more substantial (see timing for
both suites in the header above) and far more interesting.
The Wild Duck is the Australian film of Ibsen's celebrated play. It is a
story of the corrosive and tragic consequences of a wife provoked into being
completely honest with her husband about the paternity of their daughter
whose duck she (the daughter) sacrifices to prove how much she loves her
father when he rejects her after he learns the truth. Simon Walker's score,
written when he was in his mid-twenties, begins with agitated figures before
the music relaxes into a lush warm music (a lovely theme) for the close-knit
family before the interfering Gregory precipitates the tragedy. Later the
music becomes appropriately ever more darkly intense and powerful and one
is reminded of Steiner, Newman and Waxman etc.
Conversely Herrmann comes to mind (Beneath the Twelve Mile Reef, for
instance) listening to Brian May's music for the more mysterious and thrilling
scenes of the hunt for the killer monster that lives deep in the waterhole
in Frog Dreaming. This music is made all the more eerie by the judicious
use of didjeridoo, sticks and bullroarer (a stick attached to a line, that,
when swung above the head, roars as it whirls through the air like a helicopter
blade). There is contrasting appealing high-spirited material for the youngsters,
and some romance too -- all written rather in the easy melodic style of Lee
Holdridge.
Two interesting scores but rather over-long; some judicious editing and a
running time of some ten minutes less would probably have secured listeners'
attention.
Reviewer
Ian Lace
| The Wild Duck |
 |
Frog Dreaming |
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