April 2000 Film Music CD Reviews

Film Music Editor: Ian Lace
Music Webmaster Len Mullenger


Mike FIGGIS Miss Julie OST    MILAN 73138-35903 [37:29]

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It is depressing! It goes so far as to lack the plain decency of being touchingly dismal (like the sort that can offer a good cry -- "Schindler's List," or possibly "Silence of the Lambs.") It is oppressive. Woeful! Yet why am I so much as vaguely recommending it...

Mike Figgis set out to create a claustrophobic and furiously erotic score for his film, and the man succeeds very well. "Miss Julie" is a fair soundtrack of classical dimensions. It is purely chamber music, and is in fact based on a string quartet Figgis composed for a play at the National Theater some time ago. From the start, the title theme sets a queasy tone with a short variation on the traditional Dies Irae that is everything the 'Day of wrath' darkly suggests. The composer seems particularly keen on intense, close-knit cello solos (including one, the obvious 'Solo Cello,' with a gorgeous performance by Caroline

Dale) and lengthy portamenti punctuated by fierce, jerky passages. The only relatively lighthearted cues are two faux folk pieces featuring an additional fiddle and percussionist. The performances by the National Quartet (tracks 1-11 & 20) and Medici Quartet (tracks 12-19) are well up to the score's challenges, of course. Figgis' underscore is considerably more than a willful mixture of minor chords into an uncomfortable potpourri, but the music certainly is cheerless to the extent where I would not recommend it to anyone with destructive tendencies. It is tough going.

Whatever impossibility there is in terms of courteous listening, the redeeming feature of the score stands on the shoulders of creative professionalism. It is possible to enjoy the embodiment, if not the spirit, of a musical selection. Along those lines, I prefer Mychael

Danna's similarly disturbing "Felicia's Journey" slightly more; Figgis produces some of the same repeating trickery, and is not quite as individualized about his handling of it. Workmanship prevails in both, however. The "Miss Julie" soundtrack is intelligent, pointed, assertive, serious, and dreary.

Reviewer

Jeffrey Wheeler


Reviewer

Jeffrey Wheeler


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